"But thou, Clitumnus! in thy sweetest wave
Of the most living crystal that was e'er
The haunt of river nymph, to gaze and lave
Her limbs where nothing hid them, thou dost rear
Thy grassy banks whereon the milk-white steer
Grazes; the purest god of gentle waters!
And most serene of aspect, and most clear;
Surely that stream was unprofaned by slaughters--
A mirror and a bath for Beauty's youngest daughters!
"And on thy happy shore a Temple still,
Of small and delicate proportion, keeps,
Upon a mild declivity of hill,
Its memory of thee; beneath it sweeps
Thy current's calmness; oft from out it leaps
The finny darter with the glittering scales,
Who dwells and revels in thy glassy deeps;
While, chance, some scattered water-lily sails
Down where the shallower wave still tells its bubbling tales.
"Pass not unblest the Genius of the place!
If through the air a zephyr more serene
Win to the brow, 'tis his; and if ye trace
Along his margin a more eloquent green,
If on the heart the freshness of the scene
Sprinkle its coolness, and from the dry dust
Of weary life a moment lave it clean
With Nature's baptism,--'tis to him ye must
Pay orisons for this suspension of disgust."
See "Childe Harold's Pilgrimage," Canto IV., stanza lxvi., etc.
SPOLETO.
Late in the light of a thundery evening we drove into the town of
Spoleto. As our weary horses dragged us through the city gates, and up
and under the walls of the silent town, a sort of terror and of gloom
possessed our spirits. Here was something new and big and strange. What
did it mean? Gradually we became accustomed to the spirit of the place,
and seemed to realise the reason of its grim impression.
Public-domain text, read in full here on John Shaqi.
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