The Story of Rome from the Earliest Times to the End of the RepublicGilman, Arthur
History
The Story of Rome from the Earliest Times to the End of the Republic
Gilman, Arthur
Rome -- History -- Republic, 510-30 B.C.
It was agreed at the conference of Lucca that Pompey should rule Spain,
but it did not suit his plans to go to that distant country. He
preferred to remain at Rome, where he thought that he might do
something that would establish his influence with the people, and give
him the advantage over his colleagues that they were each seeking to
get over him. In order to court popularity, he built the first stone
theatre that Rome had ever seen, capable of accommodating the enormous
number of forty thousand spectators, and opened it with a splendid
exhibition (B.C. 55). [Footnote: This theatre was built after the model
of one that Pompey had seen at Mitylene, and stood between the Campus
Martius and Circus Flaminius. Adjoining it was a hall affording shelter
for the spectators in bad weather, in which Julius Cæsar was
assassinated. The Roman theatres had no roofs, and, in early times, no
seats. At this period there were seats of stone divided by broad
passages for the convenience of the audience in going in and out. A
curtain, which was drawn down instead of up, served to screen the
actors from the spectators. Awnings were sometimes used to protect the
audience from rain and sun. A century before this time the Senate had
stopped the construction of a theatre, and prohibited dramatic
exhibitions as subversive of good morals. The actors usually wore
masks. See page 159.] Day after day the populace were admitted, and on
each occasion new games and plays were prepared for their
gratification. For the first time a rhinoceros was shown; eighteen
elephants were killed by fierce Libyan hunters, and five hundred
African lions lost their lives in the combats to which they were
forced; the vehement, tragic actor Æsopus, then quite aged, came out of
his retirement for the occasion, and uttered his last words on the
stage, the juncture being all the more remarkable from the fact that
his strength failed him in the midst of a very emphatic part; gymnasts
contended, gladiators fought to the death, and the crowd cheered, but,
alas for Pompey! the cheers expressed merely temporary enjoyment at the
scenes before them, and did not at all indicate that he had been
received to their hearts.
Public-domain text, read in full here on John Shaqi.
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