Horace (Quintus Horatius Flaccus) was born on the river Aufidus, in the year 65 B.C., and was son of a freeman who seems to have been a publican or collector of taxes. At about the age of twelve, after having attended the local school at Venusia, to which the children of the rural aristocracy resorted, he was taken to Rome, where he enjoyed the advantages of the best means of education. He studied Livius Andronicus, and Homer, and was flogged with care by at least one of his masters. He was accompanied at the capital by his father, of whom he always speaks with great respect, and because he mingled with boys of high rank, was well dressed and attended by slaves. The gentle watchfulness of the father guarded Horace from all the temptations of city life, and at the age of eighteen he went to Athens, as most well- educated Romans were obliged to, and studied in the academic groves, though for a while he was swept away by the youthful desire to acquire military renown under Brutus, who came there after the murder of Cæsar. Like the others of the republican army, he fled from the field of Philippi, and found his military ardor thoroughly cooled. He thenceforth devoted himself to letters. Returning to Rome, he attracted notice by his verses, and became a friend of Mæcenas and Virgil, the former of whom bestowed upon him a farm sufficient to sustain him. His life thereafter was passed in frequent interchange of town and country residence, a circumstance which is reflected with charming grace in his verses. His rural home is described in his epistles. It was not extensive, but was pleasant, and he enjoyed it to the utmost. His poetry is deficient in the highest properties of verse, but as the fresh utterances of a man of the world who was possessed of quick observation and strong common-sense, and who was honest and bold, they have always charmed their readers. The Odes of Horace are unrivalled for their grace and felicitous language, but express no great depth of feeling. His Satires do not originate from moral indignation, but the writer playfully shoots folly as it flies, and exhibits a wonderful keenness of observation of the ways of men in the world. His Epistles are his most perfect work, and are, indeed, among the most original and polished forms of Roman verse. His Art of Poetry is not a complete theory of poetic art, and is supposed to have been written simply to suggest the difficulties to be met on the way to perfection by a versifier destitute of the poetic genius. The works of Horace were immediately popular, and in the next generation became text-books in the schools.