Cato and Scipio represented the two forces that were at this time working in society, the one opposing the entrance of the Grecian influence, and the other encouraging the refinement in manners and modes of living that came with it, even encouraging ostentation and the lavish use of money for pleasures. When Scipio was making his arrangements to go to Africa, he was governor of Sicily, and lived in luxury. Cato, then but thirty years old, had been sent to Sicily to investigate his proceedings, and act as a check upon him; but Scipio seems to have been little influenced by the young reformer, telling him that he would render accounts of his _actions_, not of the money he spent. Upon this Cato returned to Rome, and denounced Scipio's prodigality, his love of Greek literature and art, his magnificence, and his persistence in wasting in the gymnasium or in the pursuit of literature time which should have been used in training his troops. Joining Fabius, he urged that an investigating committee be sent to look into the matter, but it returned simply astonished at the efficient condition of the army, and orders were given for prompt advance upon Carthage. [Illustration: GLADIATORS AT A FUNERAL.] The influences coming from Greece at this time were not all the best, for that land was in its period of decadence, and Cato did well in trying to protect his countrymen from evil. While literature in Greece had reached its highest and had become corrupt, there had been none in Rome during the five centuries of its history. All this time, too, there had been but one public holiday and a single circus; but during the interval between the first and second Punic wars a demagogue had instituted a second circus and a new festival, called the plebeian games. Other festivals followed, and in time their cost became exceedingly great, and their influence very bad. Fights of gladiators were introduced just at the outbreak of the first Punic war, on the occasion of the funeral of D. Junius Brutus, and were given afterward on such occasions, because it was believed that the manes, the spirits of the departed, loved blood. Persons began to leave money for this purpose in their wills, and by degrees a fondness for the frightful sport increased, for the Romans had no leaning towards the ideal, and delighted only in those pursuits which appealed to their coarse, strong, and, in its way, pious nature. Humor and comedy with them became burlesque, sometimes repulsive in its grotesqueness. Dramatic art grew up during this period. We have seen that dramatic exhibitions were introduced in the year 363, from Etruria, at a time of pestilence, but they were mere pantomimes. Now plays began to be written. Trustworthy history begins at the time of the Punic wars, and the annals of Fabius Pictor commence with the year 216, after the battle of Cannæ.