with grief in 1786 at being called upon to ring for Louis XVI. It was his nephew, Rouland Leroux, whose help was called in when the canons desired to embellish their west facade and have a finer central door. This work was begun in 1508 with the money of Georges d'Amboise, and Pierre Desaubeaulx did the central tympanum. Jean Theroulde, Pierre Dalix, another Leroux, Nicolas Quesnel, Hance de Bony, and Denis Lerebours worked at the statuettes. A screen of open work (carrying the clock) was raised in front of the rose window, and four turrets were added, of which but one remains. So Rouland Leroux finished his contract in 1527, having left for himself a greater fame in the masonry of the central tower, whose base he rebuilt after the old stone spire had been destroyed by fire, and especially in the tomb of Cardinal d'Amboise, than ever he will gain by the patchwork of the west facade. What he could do with a free hand and his own designs to begin with, may be imagined from the fact that he built the Bureau des Finances on the opposite side of the Parvis and laid the first plans for the Palais de Justice. No wonder that he worked at Havre, at Beauvais, and at Angers, as well as in his native town. I shall hardly be blamed, I think, if among the full tones of a praise that must become monotonous, a single note of regretful misunderstanding cannot remain quite unheard; and I must confess that in this western front so many unfinished and supervening designs occur that I find myself unable to imagine the meaning of its builders. Considering, first of all, the arrangement of its detail, I find elaborate flower-mouldings and renaissance-work placed so high up that they can barely be distinguished as anything save light and shade, whereas upon the Portail des Libraires all such delicate work ceases at about 9 feet high, and the upper carving is done boldly in broad, simple masses for an effect of distance. But if this is bad flamboyant work, the central gate itself is purer, and perhaps among the finest examples existing of the flamboyant style. There are four strings of niches round this porch from the ground to the top of the arch, each holding two figures; every detail in them and about them is worked with the most elaborate and tender patience, full of imaginative carvings, trellised with leaves and blossoms deep wrought in the stone. At this part of the western front and at the northern side-door I could never tire of looking. But the whole facade I had to give up in despair, save when the moonlight softened it into a tracery of lacework climbing to the sky, as delicate as the pattern of white spray upon a rising wave.