Rouen (France) -- Description and travel; Rouen (France) -- History
But the memories of this quarter are not exhausted yet. Turn down into
the Rue St. Romain. From No. 8 to No. 14 are the old canons' lodgings,
where more of Jeanne's judges lived, and especially Canon Guillaume
le Desert, who survived the trial longer than any of his companions.
Near No. 28 is the Rue des Chanoines. Close by, at the "Ecu de
France," lived Jehan Salvart, the architect who built the palace for
Henry V. near Mal s'y Frotte. Within his house a workman saw, it is
recorded, the iron cage made by Etienne Castille, in which Jeanne was
chained by hands and feet and neck. At the tavern called "Maison de
Pierre"[54] Manchon, the clerk of the court, used to take his wine of
an afternoon. On the side next the Cathedral were the ecclesiastical
prisons, whose deepest dungeon was beneath the Tour St. Romain. Just
opposite the screen of the Portail des Libraires is No. 74, a strange
old house, carved with two bishops on the beams of the first floor,
and three more upon the brackets above. The door may well be original,
and the whole house is as old as the fifteenth century. On the other
side again, and just in face of the opening of the Rue Croix de Fer,
is the "Maison Jeanne d'Arc," which has no right to that name beyond
the possibility of her having seen it. For this strange remnant of
Gothic woodwork that juts out above the pavement is no doubt
contemporaneous with the trial that we are following out now. In
August 1897 the Municipal Council announced its determination to pull
it down. The _Journal de Rouen_, which deserves well of every honest
lover of antiquity, at once published a letter from M. Paul Dubosc, in
which that zealous writer pointed out the unnecessary vandalism of the
proposal; Englishmen in Rouen at the time were not afraid to add their
protests even in an alien tongue; when I left it last year it had, at
least, been standing long enough for Miss James to draw it (see p.
206) on the left hand side of an illustration that gives a very good
idea of the Rouen of the fifteenth century. The little Renaissance
doorway in the distance, at the angle of the Rue des Quatre Vents, is
an entrance to the Cour des Comptes, which at the same date had just
been freed from ruined encumbrances, and its lovely courtyard opened
to the Rue des Carmes on the other side (see p. 288).
[Footnote 54: Most of the dwelling-houses were of wood, which explains
why so few are left.]
Public-domain text, read in full here on John Shaqi.
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