The large window at the extreme end of the north aisle is also very fine. At the top is a woman in a car triumphing. Below, on the left, are Adam and Eve. Next to them is the Devil, and Death, whose swarthy skin is wrapped in a winding-sheet that seems to belly in the blasts of Hell. The story of Job that is painted in the first window on the left in the north aisle, also came from old St. Godard. And all this wealth of stained glass is shown off wonderfully well in a church that is not too large to lose its full effect, and is planned with only a few light columns in the interior to impede the view of all of them from the centre of the nave. To three other of the many ecclesiastical buildings of Rouen can I direct you before closing this Chapter of Churches with the Cathedral that is mother of them all: St. Eloi, St. Vivien, and the Abbaye de St. Amand. As you walk northwards from the river into the town up the Rue St. Eloi, the church from which it takes its name shows a fine south door that closes the perspective of the street. The design of the west entrance is bold and good, but the queerly mathematical plan of the Rose window above it, with its three triangles crossing in the circle, has not a very happy effect. The church now is little but the ruins of what was once a magnificent building and is used as the "Protestant Temple." The whole of the Place St. Eloi is worthy of a closer inspection than can be gained by merely walking through it, which you will be tempted to do at much too fast a pace on learning that the Rue du Panneret at its north-east angle leads directly to the Maison Bourgtheroulde in the Place de la Pucelle. Another characteristic little square is the Place St. Vivien which cuts the Rue Eau de Robec in two portions. If you are lucky enough to be there on a twenty-ninth of August you will see the famous Fete St. Vivien in full blast, with booths and merry-go-rounds, and travelling theatres, even a "Theatre Garric a 8 heures, Nouveau Spectacle!" But do not go on into the further recesses of the Eau de Robec without looking at the church, and give your keenest glances to the fine square tower with its octagonal spire that is classed among the Monuments Historiques. Of the ancient Abbaye de St. Amand there is perhaps less left than of any of the ecclesiastical buildings in this chapter. Its origin has been described already (see p. 71), and the gable with its buttressed wall that you can see best in the Rue St. Amand from the Place des Carmes are almost the only stones remaining of an institution that once took a very prominent part in the ecclesiastical ceremonies of Rouen.