In 1508 Louis XII. established in his new palace the jurisdiction known as that of the "Table de Marbre," because the Cathedral Chapterhouse sold for the use of this new Admiralty Court an old marble tomb, round which the members sat in the great hall. Corneille and his father were both officers of this jurisdiction later on. In the same year was begun the "Grand Chambre" in which the President held his High Court, called now the Cour d'Assises, and decorated with a magnificently carved ceiling in panels of polished wood. It is just behind that octagonal turret which juts from the centre of the main building exactly opposite the entrance from the Rue aux Juifs. Within this turret is the lovely little circular chamber which was reserved for the King's own use. Its beautiful proportions break the symmetry of the long front wall, yet are clasped to the building by the cornice whence the line of gargoyles spring; and in the same way the long and steep rise of the roof is broken up by the crests above each window that rise into the air in a pinnacled tracery of fretwork filled with carved arabesques and statues. Among them are the arms of France, supported by two stags, a memorial of the badge used by Charles VI. according to the story told by de la Mer. It is this central block of buildings that contains most of the original work of Roger Ango and Rouland Leroux. The wing on the right of the entrance from the Rue aux Juifs is modern, and though that part of the left wing which faces the courtyard is old, the facade upon the Rue Jeanne d'Arc at the Place Verdrel was rebuilt in 1842. The courtyard was originally enclosed by a fine crenulated wall like that round the Hotel de Cluny in Paris. This has been replaced by a badly designed iron railing. But as a civic building, in spite of its railing and its new Cour d' Appel, the Palais de Justice remains the finest of its kind in Europe, and is superior to the Hotel de Ville both of Brussels and of Louvain.