Though Henri Quatre could not get through the gates of Rouen while the town remained faithful to the League, and considered him a heretic, the sturdy citizens were ready enough to accept a king of their own religion, and when the "Vert Galant" made his first solemn entry into the place in 1596, they welcomed him as heartily as any of his predecessors. You will remember that there were Englishmen with him when he was trying to get into Rouen a few years before, and it was to Rouen again that the Earl of Shrewsbury and a brilliant suite brought the Queen of England's greeting to her cousin of France, and sent him the famous Order of the Garter. The Ambassador was most appropriately lodged in a very famous house in Rouen, which itself formed a remarkably complete memorial of the friendship between the same two thrones earlier in the century. The Maison Bourgtheroulde, at the corner of the Place de la Pucelle and the Rue du Panneret, contains indeed one of the best pictorial records that exists in Europe, not only of the meeting of the Field of the Cloth of Gold, but also of the decorations that were displayed there. The house is a good example of the transition between "Gothic" domestic architecture and that of the Renaissance. Built about the same time as the Palais de Justice and the Bureau de Finances, it formed a part of that brilliant series of beautiful dwellings in which the early years of the sixteenth century at Rouen were so fruitful. Its exterior facade upon the Place de la Pucelle is so terribly changed and mutilated now, that unless you will refer to Lelieur's drawing, reproduced with Chapter IX., no view of its present condition can suggest to you the original design. Of that high roof with lofty crested windows, of the side-turret at the angle of the street, of the beautifully carved door, not a trace remains. The principal entrance built on the old Marche aux Veaux was placed between two heavy pillars, which had statues on them, and even before the traveller had passed inside, these suggested to him the motive which underlies the whole decoration of the house; for these are the two pillars which were on each side of the English King's pavilion at the Field of the Cloth of Gold. Whereof the one, in the words of the English chronicler, was "intrayled with anticke works, the old god of wine called Bacchus birlyng the wine, which by the conduits in the erthe ran to all people plenteously with red, white, and claret wine, over whose head was written in letters of Romayn in gold, 'Faicte bonne chere qui vouldra.'" The other pillar was "of ancient Romayne work, borne with four lions of gold ... and on the summit of the said piller stood an image of the blynde God, Cupid, with his bowe and arrowes of love, by hys seeming, to stryke the yonge people to love." But these have gone, and so little is left of the beauty of the facade that it really will require some courage to believe what I have just said, and