Turning to the other side of the tower, the carving beneath the highest window represents a jovial picnic under the same idyllic conditions. Out of a big bowl placed on a tree-stump, a shepherdess helps her lover with a spoon, another man makes his dog beg for a morsel of the food; music is provided behind by a self-sacrificing person with the bagpipes, and a fourth shepherd stands in the distance with some sheep, like a martyr to his duty. The window beneath this is decorated with a sheep-shearing scene, which I have reproduced from the outline drawing by E.H. Langlois, published by Delaqueriere in his "Description Historique des Maisons de Rouen" (Paris: Firmin Didot. 1821). The presiding shepherdess carries on her work with the usual embarrassing distractions. By her side a musician plays his hautbois to a dancing dog. Just behind them a spirited chase after a marauding wolf is in full cry; more houses, clouds, and birds complete the picture. The motto is "Nous somes des fins: aspirans a fins." The last scene represents men fishing, some with nets out of a boat, others on land with various uncouth patterns of fishing-rod; everyone appears to be making a fine catch, but the extraordinary occurrence on the bank will entirely divert your attention from the fish; for a knight, who had evidently ridden down to see the sport, has been snatched out of his saddle by a burly flying griffin, and his servant looks frantically after his disappearing body in the clouds. Untroubled by these strange events, a young woman walks calmly towards the castle, a little further on, carrying a basket of eggs and butter on her head, and above her some new kind of osprey flies away with a protesting pike. [See page 361.]