As the chanting died away, after a short interval came the beadle all in violet livery bearing the great "Gargouille" of the town, and followed by a rabble of laughing, screaming lads in motley, swinging bladders, and throwing flowers and cakes about the street--that note of ribaldry without which no such procession was complete--and then came suddenly a silence, for the most holy shrine of St. Romain passed by, borne by the prisoner and a priest. The last seven prisoners followed him, bareheaded and with torches. And then the laughter and the cheering broke out again as more burgesses tramped along with bouquets in their hands, and young girls all in white with garlands of flowers about their bosoms scattered blossoms on the bystanders, and more guards and soldiers closed up the procession and kept the crowd from breaking through its ranks. By this time the first line had reached the Parvis, and as the voices of two priests singing on the summit of the Tour St. Romain floated down upon the people, all men passed in through the Portail de St. Romain of the Western Front, under the great shrine held crosswise, so that all who went beneath received the blessed influence. When everyone had entered, and the shrine was once more on the High Altar, the Grand Mass was sung, and the prisoner was once more publicly exhorted by the Archbishop, before he was taken away again by the Confrerie St. Romain to a great feast in the Master's House which was the real celebration of his return to freedom. The life of a sixteenth-century French town has often been described before, but I am particularly fortunate in being able to sketch you something of what went on in Rouen, not merely with the background of Lelieur's drawing, but even with the sound of the music which was heard in her streets; and, if I mistake not, the one is as unknown to English readers as the other. It has been said that Guillaume le Franc, a musician of Rouen, actually composed the tune known as the "Old Hundredth," originally set to the 134th Psalm in the Geneva Psalter, and used by English Protestants for the 100th about 1562. It was Haendel's opinion that Luther composed it, and to Claude Goudimel, who was assassinated in the St. Bartholomew of Lyons, the honour has also been attributed; but local patriotism insists upon le Franc, and after reading the specimen of local musical talent I shall give you, I believe you will be readier to allow that Guillaume le Franc may have done what his fellow-citizens believe.