His house in the Rue Corneille, formerly the Rue de la Pie, is still preserved, though the front has been damaged by the widening of the street, and it is marked by a bust of the poet over the entrance. In the last few months it has been put up for auction, and it may be hoped that the town authorities have taken advantage of the opportunity to secure it from further mutilation. For it has been not merely the home of Pierre Corneille and his brother Thomas, but the meeting-place of several other men distinguished in French literature. In the summer of 1658, for instance, Moliere brought his travelling troupe to Rouen, and set up his theatre at the bottom of the Rue du Vieux Palais. There he played in "L'Etourdi" and "Le Depit Amoureux," which Corneille went to see, and tradition says that the most distinguished of her audience fell in love with du Parc, the pretty actress, from the spectators' seats, not improbably on the occasion when his own play of "Nicomede" was being performed. It is certain at any rate that Moliere, who was then some thirty-six years old, visited Corneille, who was sixteen years his senior, and already famous in the wider world of literature. And it is at least curious that only after the six months during which his visits to the elder poet must have been both frequent and fruitful, did Jean Baptiste Poquelin become recognised as the Moliere of "Le Malade Imaginaire," a play, which I confess I would rather hear to-day than anything Corneille ever wrote, even though Parisian audiences can still patriotically endure almost the whole series of his heroic dramas. This was not Moliere's first visit to Rouen, where a peculiarly dark and dirty street preserves the memory of his light-hearted appearances. For there is his signature in the town registers of 1643, when he was only twenty-one, and as the date is November 3, the coincidence of time has tempted patriotic antiquarians to suggest that his first _debut_ in public was at the famous Foire du Pardon. What Rouen looked like at this time you may see in the view, reproduced from Merian's engraving of 1620, printed with this chapter.