The Story of SevilleGallichan, Walter M. (Walter Matthew)
History
The Story of Seville
Gallichan, Walter M. (Walter Matthew)
Seville (Spain)
In the old days the ardent lover was wont to beat himself beneath a
maiden's window, until the blood trickled down his back. Nowadays, the
amorous cavalier waits below the casement, and when he catches a glimpse
of the object of his devotion, exclaims: 'Your beauty ravishes me! Your
eyes burn into my soul!'
The peculiarly guarded life of the young Spanish woman, which is in part
a relic of Orientalism, and in part traceable to her religion, forces
her to develop ingenuity in attracting an admirer, and in her means of
communicating with him.
Mr. Lathrop, in his _Spanish Vistas_, says that the beggars around
Seville Cathedral are sometimes the bearers of love letters to the
ladies who attend the services and go to confession. A piece of silver
is dropped into the mendicant's dirty palm, and a little note is
transferred to the _señorita's_ hand. And with eyes fixed modestly upon
the ground, the maiden steps out of the portal of the sacred building,
clutching the tender missive which she burns to read. In all countries
stealthy courtship has its charm and romance for lovers; and in Spain
the zest of wooing is quickened by the devices employed for clandestine
assignations, and the secret conveying of gifts and letters from one
lover to another. Our forthright British mode of love-making might
appear almost barbarous to an Andalusian girl.
The women of Southern Spain are short, and they incline to stoutness.
Mr. Finck says that sexual selection 'is evolving the _petite_ brunette
as the ideal of womanhood,' and that 'the perfected woman of the
millennium will resemble the Andalusian brunette, not only in
complexion, hair, eyes, gait, and tapering plumpness of figure, but also
in stature.'
Among the men of Seville one sees many slim, lissome, well-proportioned
figures of medium height. Some of the _majos_ of Sierpes are of this
type, and among the working class there are many good-looking,
clean-limbed men. The masculine physiognomies impress me as being much
more varied in contour and more expressive than those of the women.
Faces that might be English are not uncommon among the men of Seville.
But the true Andalusian features are distinctive, and have an Arab cast.
The hair is dark, black or brown, and the skin olive or tawny. There is
an unshaven look about many of the middle-class men. A _majo_ who
dresses in the height of fashion will often go out to parade the streets
with a three days' beard on his chin. But his hands will be
scrupulously washed several times a day, and the finger nails will be
carefully trimmed and polished.
[Illustration: The Golden Tower]
Public-domain text, read in full here on John Shaqi.
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