The Story of SevilleGallichan, Walter M. (Walter Matthew)
History
The Story of Seville
Gallichan, Walter M. (Walter Matthew)
Seville (Spain)
It is fashionable to drive to the _corrida_ behind four or six horses or
mules, with gay trappings and jangling bells. Hawkers, thieves,
programme vendors and beggars throng around the _plaza_. The half-hour
of waiting, preliminary to the first combat, is enlivened by the arrival
of smart people and notabilities of the city, while the orchestra plays
a selection of pieces.
Reverte or Fuentes arrives, and is acclaimed by his admirers. The
knowing _aficionados_, who have seen the doomed bulls in their
enclosure, promise an excellent show. The seats gradually fill; there is
a loud hum of conversation and a waving of fans by the _señoras_ in the
_palcos_. At a signal from the President of the _corridas_, the ring is
cleared of the groups of _toreros_ and their friends. Then the band
strikes up, and the bull-fighters march out, with the _matadores_ in
front of their attendants. They salute the President. The key of the
bull enclosure is thrown down, an official unlocks the door, and into
the arena canters the first bull, to encounter a charge from the
_picador_. Sometimes the bull refuses to fight. The beast is lazy,
good-tempered, or dazed. Not even the darts will enrage the creature. It
gazes upon its tormentors with benign amazement. This poor sport; _toro_
must be worried into a passion. An explosive dart is thrown at the bull.
The fire burns into its nerves. It is more than the most placid bull
nature can endure with patience. _Toro_ lowers its horns and rushes upon
its assailants.
The spectators, men, women and children, closely watch every move and
double of the fighters. A _picador_ is thrown. The horse, with a ghastly
dripping wound in its flank, rushes around the ring. It is met by the
bull, gored, and tossed in the air. The wounded nag cannot regain its
feet. Again and again the infuriated _toro_ vents its rage on the
struggling horse. Presently, the bull's attention is drawn from the
steed, and it turns to face the gaudy _matador_. A thrust of a dagger
ends the convulsive kicking of the dying horse.
With scientific precision, the swordsman flutters his _muleta_ in the
bull's face. At each charge the _matador_ bounds aside, and the beast
worries the red rag. At length, _toro_ stands snorting and pawing the
ground. The magnificent brute surveys his enemy with hatred, and makes
another rush. Again it is thwarted. Finally, the sword is plunged deftly
into the creature's viscera. _Toro_ trembles, falls, and lies prone. The
_coup de grace_ is administered with a big knife. There is deafening
applause, the strains of the band, and the dead bull is dragged from the
ring by a team of mules.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account