The Story of Siena and San GimignanoGardner, Edmund G.
History
The Story of Siena and San Gimignano
Gardner, Edmund G.
Art -- Italy -- Siena; San Gimignano (Italy) -- History; Siena (Italy) -- History
In the gallery of the second floor is what may, perhaps, be taken as the
supreme picture of the Middle Ages; the famous _ancona_ which Duccio di
Buoninsegna painted for the high altar of the Duomo. "It was the most
beautiful picture that was ever seen or made," wrote the contemporary
chronicler, Andrea Dei. "It cost more than three thousand golden
florins, and Duccio the painter laboured many years in doing it."
Documentary evidence shows that he took less than three years over the
work; it was assigned to him on October 9th, 1308, and it was borne in
triumph to its place on June 9th, 1311. To place it accurately in the
story of mediaeval art, we may remember that Giotto had already painted
his earlier works and was probably then engaged upon his frescoes in the
Arena at Padua, while it was precisely in these years that Dante was
labouring upon his _Inferno_ and hailing with fierce exultation the
advent of a political Messiah in the person of Henry of Luxemburg. A
public holiday was proclaimed when it was completed. With ringing of
bells from churches and palaces, the musicians of the Signoria marching
in front with trumpets, drums and tambourines, the picture was solemnly
carried in triumph from the painter's workshop through the Via di
Stalloreggi, along the Via di Città, then down and round the Campo, and
up again to its place in the Duomo. "On the day that it was carried to
the Duomo," writes an anonymous chronicler who was probably present,
"the shops were shut; and the Bishop bade that a goodly and devout
company of priests and friars should go in solemn procession,
accompanied by the _Signori Nove_ and all the officers of the Commune
and all the people; all the most worthy followed close upon the picture,
according to their degree, with lights burning in their hands; and then
behind them came the women and children, with great devotion. And they
accompanied the said picture as far as the Duomo, making procession
round the Campo as is the use, all the bells sounding joyously for the
devotion of so noble a picture as is this. And all that day they offered
up prayers, with great alms to the poor, praying God and His Mother who
is our advocate, that He may defend us in His infinite mercy from all
adversity and all evil, and that He may keep us from the hands of
traitors and enemies of Siena."[97]
Public-domain text, read in full here on John Shaqi.
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