At the beginning of June the Cardinal of Ferrara, tardily obeying the summons of the King, left the city, and went home with a safe conduct; French and Swiss reinforcements arrived under the command of Blaise de Montluc, afterwards Marshal of France, who came to take charge of the city that Strozzi might have a free hand elsewhere. There had been some question as to the safety of sending this dashing Gascon to Siena; his enemies assured the king that he was (to use his own phrase) _un des plus coleres hommes du monde, et le plus bisarre_, and that, "considered the humours of the Sienese, it would be fire against fire." As it turned out, his dauntless heroism, his never failing high spirits (even when he lay at the point of death), his amazing harangues (for he prided himself upon his Italian, and had got up some Sienese history to serve his need), chimed in precisely with the temper of the people, and the name of the gallant Gascon general is ever to be linked with that of the glorious Italian republic, whose liberties he was to defend. The third book of his _Commentaires_, taken with the _Diario_ of Alessandro Sozzini, lets us follow every phase of the siege. He found, he tells us, that "the Sienese were stark mad of fighting, and I do believe, fighting for their liberty, would have played the devils." The heroic devotion of the ladies of the city--to whose prayers he professed to owe his recovery from sickness--especially moved his enthusiasm:-- "It shall never be, you Ladies of Siena, that I will not immortalise your names so long as the Book of Montluc shall live; for in truth you are worthy of immortal praise, if ever women were. At the beginning of the noble resolution these people took to defend their liberty, all the ladies of Siena divided themselves into three squadrons; the first led by Signora Forteguerra, who was herself clad in violet, as also those of her train, her attire being cut in the fashion of a Nymph, short, and discovering her buskins; the second was the Signora Piccolomini, attired in carnation satin, and her troop in the same livery; the third was the Signora Livia Fausta, apparelled all in white, as also her train, with her white ensign. In their ensigns they had very fine devices, which I would give a good deal I could remember. These three squadrons consisted of three thousand ladies, gentlewomen and citizens; their arms were picks, shovels, baskets and bavins; and in this equipage they made their muster, and went to begin the fortifications. Monsieur de Termes, who has often told me this story (for I was not then arrived at Siena), has assured me that in his life he never saw so fine a sight. I have since seen their ensigns, and they had composed a song to the honour of France, for which I wish I had given the best horse I have that I might insert it here."[126]