[39] The Dialogue, _Il Dialogo della Serafica Santa Caterina da Siena_, will be found in Gigli, vol. iv., and has been translated (somewhat freely) into English by Mr Algar Thorold. To the Dialogue and the Letters, we should add the _Trattato della Consumata Perfezione_ and a short collection of prayers, also printed in Gigli, _L'opere_, etc., vol. iv. [40] Letter 306. [41] Letter 310. [42] Letter 317. [43] Letter 349. [44] Letters 350, 362, 357, 372. [45] Letter 370. [46] Letter 373. [47] Barduccio's letter to a nun at Florence, describing every detail of Catherine's death, will be found in the Appendix to the _Leggenda_. [48] See pp. 144, 145. [49] Pastor, II., p. 147. [50] Armstrong, _Lorenzo de' Medici_, p. 178. [51] _Diari Senesi_, 836, 837. [52] Zdekauer, _Lo Studio di Siena nel Rinascimento_, pp. 119-124. [53] Letter of August 18th, 1500, published by F. Donati in _Miscellanea Storica Senese_, i. 7. [54] Letters of January 6th, 8th, 10th, and 13th from Machiavelli to the Signoria. In the _Legazione al Duca Valentino_ (vol. vi. of edition cited). [55] In Lisini, _Relazioni tra Cesare Borgia e la Repubblica Senese_, and elsewhere. It is dated January 27th, and had probably been delivered (though this has been questioned) before Pandolfo left. [56] In Mondolfo, _Pandolfo Petrucci_, p. 99. [57] _Niccolò Machiavelli e i suoi Tempi_, i. pp. 502, 503. [58] The letters of this Legation in vol. vii. of edition cited. [59] By a decree of the Balìa on September 14th, 1509; but this was not quite such a recognition of his dynasty as might appear, because a similar exception was made in 1518 (though only in their own homes) for some of the Piccolomini. [60] _La Sculpture Florentine_, i. p. 134. [61] M. Reymond, _op. cit._, ii. p. 46. [62] Duccio is last referred to as alive in a document of June, 1313, and in 1318 his widow Taviana is described as _uxor olim Duccii pictoris_. See A. Lisini, _Notizie di Duccio Pittore_, p. 33. On Duccio's characteristics as a painter, the best thing is written by Mr Berenson, _Central Italian Painters_, pp. 18-42. [63] _i.e._ The officials of the Gabella; see Chapter IX. [64] The text of the Bull and Enea Silvio's letter in L. Banchi, _Il Piccinino nello Stato di Siena e la Lega Italica_ (1455-56), in the _Archivio Storico Italiano_, Series IV., vol. iv., pp. 56-58. See also next chapter, pp. 144-147. [65] Berenson, _op. cit._ p. 56. [66] _Italian Painters_, i. p. 158. [67] Berenson, _op. cit._ p. 56. [68] That is to say, if the Matteo Balducci who is mentioned as Pinturicchio's pupil in a document of January 1509 is the same as the Matteo Balducci who in 1517 became Bazzi's pupil for six years. Frizzoni (_L'Arte Italiana del Rinascimento_, p. 183) holds that they are two different persons. [69] _Miscellanea Storica Senese_, v. 11, 12. [70] See V. Lusini, _Storia della Basilica di San Francesco_, pp. 99-101.