The Story of Siena and San GimignanoGardner, Edmund G.
History
The Story of Siena and San Gimignano
Gardner, Edmund G.
Art -- Italy -- Siena; San Gimignano (Italy) -- History; Siena (Italy) -- History
the city, the Sienese annulled the suzerainty and all the authority that
had been given to the Duke of Milan and his successors, and commanded
that his arms, wherever they had been set up in the dominions of the
Republic, should be completely obliterated. But Orlando Malavolti
returned to his native city only to die. On his way to salute the
Signoria he was treacherously murdered in the streets by the hirelings
of those who had seized upon his possessions, which they hoped thus to
keep in their hands.
[Illustration: THE MANGIA TOWER]
In the meantime the form of the chief magistracy had undergone various
alterations. Not only had the Dodicini been expelled, but the
Riformatori had been readmitted. It now consisted of nine Priors, three
of the Monte del Popolo, three of the Monte de' Nove, and three of the
Monte de' Riformatori; with a tenth, the Captain of the People and
Gonfaloniere of Justice, chosen from each Monte and from each terzo of
the city in turn. But throughout the period that follows, and indeed
down to the end of the Republic, we shall find the real authority vested
in what was known as the _Balìa_. This originally simply meant the power
or authority committed to certain citizens for some special purpose; but
it gradually became converted into an ordinary magistracy, distinct from
the Signoria or _Concistoro_. From 1455--when it was specially
instituted in this form to superintend a prolonged and dangerous
war--until the fall of the Republic, the _Collegio di Balìa_ had the
supreme control of the State, with authority over the laws and
government of Siena, although the outward appearances of supremacy were
left to the Signoria, the members of which (the _Signori_) were still,
nominally, the chief magistrates of the Republic.
The first three-quarters of the fifteenth century in the history of
Siena are a medley of somewhat inglorious wars with incessant faction.
We find Siena allied with Florence against King Ladislaus of Naples (the
son of Charles of Durazzo), then at war with Florence again, then allied
with Pope Calixtus III. against the great condottiere Jacopo Piccinino,
in a war more famous for the stern penalty that the Republic knew how to
exact from a treacherous general than for any action in the field.[48]
There were alarms and excursions from the _fuorusciti_ in the contado;
there were conspiracies within Siena itself, especially one most
formidable in 1456 to subject the Republic to King Alfonso of Naples
(who had substituted an Aragonese dynasty for the House of Anjou in that
kingdom), in which certain families of the Monte de' Nove--headed by
Antonio Petrucci, Ghino di Pietro Bellanti and Marino Bargagli--were
deeply involved. But, all the while, great personalities are moving
across the Sienese stage.
Public-domain text, read in full here on John Shaqi.
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