England -- Juvenile fiction; Fantasy literature; Siblings -- Juvenile fiction; Wishes -- Juvenile fiction
Robert explained how much simpler it was to pay money for things than
to exchange them as the people were doing in the market. Later on the
soldier gave the coins to his captain, who, later still, showed them to
Pharaoh, who of course kept them and was much struck with the idea.
That was really how coins first came to be used in Egypt. You will not
believe this, I daresay, but really, if you believe the rest of the
story, I don’t see why you shouldn’t believe this as well.
“I say,” said Anthea, struck by a sudden thought, “I suppose it’ll be
all right about those workmen? The King won’t go back on what he said
about them just because he’s angry with us?”
“Oh, no,” said the soldier, “you see, he’s rather afraid of magic.
He’ll keep to his word right enough.”
“Then _that’s_ all right,” said Robert; and Anthea said softly and
coaxingly—
“Ah, _do_ get us the monkey, and then you’ll see some lovely magic.
Do—there’s a nice, kind soldier.”
“I don’t know where they’ve put your precious monkey, but if I can get
another chap to take on my duty here I’ll see what I can do,” he said
grudgingly, and went out.
“Do you mean,” said Robert, “that we’re going off without even _trying_
for the other half of the Amulet?”
“I really think we’d better,” said Anthea tremulously.
“Of course the other half of the Amulet’s here somewhere or our half
wouldn’t have brought us here. I do wish we could find it. It is a pity
we don’t know any _real_ magic. Then we could find out. I do wonder
where it is—exactly.”
If they had only known it, something very like the other half of the
Amulet was very near them. It hung round the neck of someone, and that
someone was watching them through a chink, high up in the wall,
specially devised for watching people who were imprisoned. But they did
not know.
There was nearly an hour of anxious waiting. They tried to take an
interest in the picture on the wall, a picture of harpers playing very
odd harps and women dancing at a feast. They examined the painted
plaster floor, and the chairs were of white painted wood with coloured
stripes at intervals.
But the time went slowly, and everyone had time to think of how Pharaoh
had said, “Don’t torture them—_yet_.”
“If the worst comes to the worst,” said Cyril, “we must just bunk, and
leave the Psammead. I believe it can take care of itself well enough.
They won’t kill it or hurt it when they find it can speak and give
wishes. They’ll build it a temple, I shouldn’t wonder.”
“I couldn’t bear to go without it,” said Anthea, “and Pharaoh said
‘After supper’, that won’t be just yet. And the soldier _was_ curious.
I’m sure we’re all right for the present.”
All the same, the sounds of the door being unbarred seemed one of the
prettiest sounds possible.
“Suppose he hasn’t got the Psammead?” whispered Jane.
But that doubt was set at rest by the Psammead itself; for almost
before the door was open it sprang through the chink of it into
Anthea’s arms, shivering and hunching up its fur.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account