England -- Juvenile fiction; Fantasy literature; Siblings -- Juvenile fiction; Wishes -- Juvenile fiction
“_I_ shouldn’t like to mix anything with a live lobster,” said Anthea,
shuddering.
“Well, there aren’t any other red and blue fish,” said Jane; “you’d
have to.”
“I’d rather not have the purple,” said Anthea.
“The Tyrian purple wasn’t that colour when it came out of the fish, nor
yet afterwards, it wasn’t,” said Robert; “it was scarlet really, and
Roman Emperors wore it. And it wasn’t any nice colour while the fish
had it. It was a yellowish-white liquid of a creamy consistency.”
“How do you know?” asked Cyril.
“I read it,” said Robert, with the meek pride of superior knowledge.
“Where?” asked Cyril.
“In print,” said Robert, still more proudly meek.
“You think everything’s true if it’s printed,” said Cyril, naturally
annoyed, “but it isn’t. Father said so. Quite a lot of lies get
printed, especially in newspapers.”
“You see, as it happens,” said Robert, in what was really a rather
annoying tone, “it wasn’t a newspaper, it was in a book.”
“How sweet Chinese white is!” said Jane, dreamily sucking her brush
again.
“I don’t believe it,” said Cyril to Robert.
“Have a suck yourself,” suggested Robert.
“I don’t mean about the Chinese white. I mean about the cream fish
turning purple and—”
“Oh!” cried Anthea, jumping up very quickly, “I’m tired of painting.
Let’s go somewhere by Amulet. I say let’s let _it_ choose.”
Cyril and Robert agreed that this was an idea. Jane consented to stop
painting because, as she said, Chinese white, though certainly sweet,
gives you a queer feeling in the back of the throat if you paint with
it too long.
The Amulet was held up.
“Take us somewhere,” said Jane, “anywhere you like in the Past—but
somewhere where you are.” Then she said the word.
Next moment everyone felt a queer rocking and swaying—something like
what you feel when you go out in a fishing boat. And that was not
wonderful, when you come to think of it, for it was in a boat that they
found themselves. A queer boat, with high bulwarks pierced with holes
for oars to go through. There was a high seat for the steersman, and
the prow was shaped like the head of some great animal with big,
staring eyes. The boat rode at anchor in a bay, and the bay was very
smooth. The crew were dark, wiry fellows with black beards and hair.
They had no clothes except a tunic from waist to knee, and round caps
with knobs on the top. They were very busy, and what they were doing
was so interesting to the children that at first they did not even
wonder where the Amulet had brought them.
And the crew seemed too busy to notice the children. They were
fastening rush baskets to a long rope with a great piece of cork at the
end, and in each basket they put mussels or little frogs. Then they
cast out the rope, the baskets sank, but the cork floated. And all
about on the blue water were other boats and all the crews of all the
boats were busy with ropes and baskets and frogs and mussels.
Public-domain text, read in full here on John Shaqi.
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