The pace was increased from 75 to 80 per minute for the ordinary march
or movement, but one of 120 (our present quick march) was permitted
for wheeling and such minor manœuvres! The ranks were, when the book
first appeared, three deep, as obtained in Germany, until the death
of the late Emperor; but light infantry were allowed to form two deep
before skirmishing. The battalion had ten companies, including the
flank or “Light” and “Grenadier” companies. The absolute rigidity of
the line was insisted on. To be able to form line from open column
without either making gaps or causing crowding was the essence of good
drill; and hence, the “march past,” if well executed, was really then
a true test of the efficiency of a battalion. Other editions of this
drill-book were published in 1809, 1815, and 1817, but in 1808, the
three-rank formation was abolished for active service. It has been
surmised that the necessity, with the small armies we despatched in
these days, of this reduction in depth was made in order that a wider
front might be offered to the frequently numerical superiority of our
adversaries.[33]
In all our early campaigns, notoriously those of the Marlborough
period, the British infantry had shone in the offensive. From the
steady advance against Blenheim to the vigorous dash at Lincelles, it
had shown how capable it was of attacking even against enormous odds.
And yet from 1800 almost until now there has been an impression that
our army is better on the defensive than in the attack. Even after
Waterloo, Müffling writes: “I felt a strong conviction that if fortune
so far favoured us in a battle that the English army could act on the
defensive, while the Prussians acted simultaneously on the offensive,
we should obtain a brilliant victory over Napoleon.” Unfounded as such
an idea was, if the military history of the past be examined, there is
no doubt it remained a tradition for long after the battle that proved
once again the undaunted steadiness of the British line.
Public-domain text, read in full here on John Shaqi.
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