The war correspondent had been "killed off" so many times in newspapers and magazines of late years that one might expect him to be as dead as the dodo, and of course the old-fashioned "horseback" correspondent--a sort of unofficial envoy extraordinary from the reading public, who carried his own elaborate outfit and rode more or less where he pleased--is extinct. A horse would have been about as useful on most of the European fronts, under the conditions prescribed, as a rowboat. What the correspondent needed, in the few hours he was permitted to see anything, was a fast motor car, and quite as much as the car itself the pass, without which it would have been stopped at the first crossroads. Wandering round the active front where any point in a strip of several miles wide, however apparently peaceful, is under observation and likely to be at any moment under fire, is not practicable even were it permitted. Modern artillery, long range rifles, aeroplanes and field telephones have put an end to such strolling; while the elaborate system of communication in such highly civilized neighborhoods as those in which the present war is being fought, and the care with which every scrap of information about the enemy is pieced together and coordinated, makes it imperative that every possible source of such information shall be controlled. Nevertheless the Great War had no sooner started than the old guard bobbed up serenely, and with them new ones--men and women writers, adventurous novelists, privateers of all sorts. They have kept on working and seeing more or less, and have performed necessary and valuable service. They have described the life behind the front, the life in towns, camps, prisons, hospitals and given the news--the rough general outlines--of the swiftly changing drama. Very few have seen any fighting, properly speaking, and although bits of their work here and there deserve to become part of the permanent history of the war, they themselves would be the last to suggest that they have told the real story. The real story is of two kinds. There is the narrative of the events, the orderly, understanding arrangement and coordination of the showers of facts and rumors that blow in from a hundred sources to the great news centers far from the front. And there is the story of personal experience, the sensations of the individual as he looks into the face of war. The first tells what happened, the other how it felt. For the one, the correspondent is too near, for the other too far away.