The Story of the HeavensBall, Robert S. (Robert Stawell)
History
The Story of the Heavens
Ball, Robert S. (Robert Stawell)
Astronomy
A typical view of a lunar crater is shown in Plate VIII. This is, no
doubt, a somewhat imaginary sketch. The point of view from which the
artist is supposed to have taken the picture is one quite unattainable
by terrestrial astronomers, yet there can be little doubt that it is a
fair representation of objects on the moon. We should, however,
recollect the scale on which it is drawn. The vast crater must be many
miles across, and the mountain at its centre must be thousands of feet
high. The telescope will, even at its best, only show the moon as well
as we could see it with the unaided eye if it were 250 miles away
instead of being 240,000. We must not, therefore, expect to see any
details on the moon even with the finest telescopes, unless they were
coarse enough to be visible at a distance of 250 miles. England from
such a point of view would only show London as a coloured spot, in
contrast with the general surface of the country.
We return, however, from a somewhat fancy sketch to a more prosaic
examination of what the telescope does actually reveal. Plate IX.
represents the large crater Plato, so well known to everyone who uses a
telescope. The floor of this remarkable object is nearly flat, and the
central mountain, so often seen in other craters, is entirely wanting.
We describe it more fully in the general list of lunar objects.
The mountain peaks on the moon throw long, well-defined shadows,
characterised by a sharpness which we do not find in the shadows of
terrestrial objects. The difference between the two cases arises from
the absence of air from the moon. Our atmosphere diffuses a certain
amount of light, which mitigates the blackness of terrestrial shadows
and tends to soften their outline. No such influences are at work on the
moon, and the sharpness of the shadows is taken advantage of in our
attempts to measure the heights of the lunar mountains.
It is often easy to compute the altitude of a church steeple, a lofty
chimney, or any similar object, from the length of its shadow. The
simplest and the most accurate process is to measure at noon the number
of feet from the base of the object to the end of the shadow. The
elevation of the sun at noon on the day in question can be obtained from
the almanac, and then the height of the object follows by a simple
calculation. Indeed, if the observations can be made either on the 6th
of April or the 6th of September, at or near the latitude of London,
then calculations would be unnecessary. The noonday length of the shadow
on either of the dates named is equal to the altitude of the object. In
summer the length of the noontide shadow is less than the altitude; in
winter the length of the shadow exceeds the altitude. At sunrise or
sunset the shadows are, of course, much longer than at noon, and it is
shadows of this kind that we observe on the moon. The necessary
measurements are made by that indispensable adjunct to the equatorial
telescope known as the _micrometer_.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account