The Story of the Hymns and TunesButterworth, Hezekiah
Religion
The Story of the Hymns and Tunes
Butterworth, Hezekiah
Hymns -- History and criticism; Religious poetry
The hymn must be sung as it was _made_ to be sung, and the composer
being many years _en rapport_ with the writer, knew how to put all her
metrical rhythms into sweet sound. The tune--in Mr. Bradbury's _Fresh
Laurels_ (1867)--is one of his sympathetic interpretations, and, with
the duet sung by two of the best singers of the middle class
Sunday-school girls, is a melodious and impressive piece.
"WHEN HE COMETH, WHEN HE COMETH."
The Rev. W.O. Cushing, with the beautiful thought in Malachi 3:17
singing in his soul, composed this favorite Sunday-school hymn, which
has gone round the world.
When He cometh, when He cometh
To make up His jewels,
All the jewels, precious jewels,
His loved and His own.
Like the stars of the morning,
His bright brow adorning
They shall shine in their beauty
Bright gems for His crown.
He will gather, He will gather
The gems for His Kingdom,
All the pure ones, all the bright ones,
His loved and His own.
Like the stars, etc.
Little children, little children
Who love their Redeemer,
Are the jewels, precious jewels
His loved and His own,
Like the stars, etc.
Rev. William Orcutt Cushing of Hingham, Mass., born Dec. 31, 1823, wrote
this little hymn when a young man (1856), probably with no idea of
achieving a literary performance. But it rings; and even if it is a
"ringing of changes" on pretty syllables, that is not all. There is a
thought in it that _sings_. Its glory came to it, however, when it got
its tune--and he must have had a subconsciousness of the tune he wanted
when he made the lines for his Sunday-school. He died Oct. 19, 1902.
_THE TUNE._
The composer of the music for the "Jewel Hymn"[32] was George F. Root,
then living in Reading, Mass.
[Footnote 32: Comparison of the "Jewel Hymn" tune with the old glee of
"Johnny Schmoker" gives color to the assertion that Mr. Root caught up
and adapted a popular ditty for his Christian melody--as was so often
done in Wales, and in the Lutheran and Wesleyan reformations. He
baptized the comic fugue, and promoted it from the vaudeville stage to
the Sunday School.]
A minister returning from Europe on an English steamer visited the
steerage, and after some friendly talk proposed a singing service--it
something could be started that "everybody" knew--for there were
hundreds of emigrants there from nearly every part of Europe.
"It will have to be an American tune, then," said the steerage-master;
"try 'His jewels.'"
The minister struck out at once with the melody and words,--
When He cometh, when He cometh,
Public-domain text, read in full here on John Shaqi.
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