The Story of the Hymns and TunesButterworth, Hezekiah
Religion
The Story of the Hymns and Tunes
Butterworth, Hezekiah
Hymns -- History and criticism; Religious poetry
John Henry Cornell was born in New York city, May 8, 1838, and was for
many years organist at St. Paul's Chapel, Trinity Church. He is the
author of numerous educational works on the theory and practice of
music. He composed the above tune in 1872. Died March 1, 1894.
"AVE, MARIS STELLA."
One of the titles which the Roman Catholic world applied to the Mother
of Jesus, in the Middle Ages, was "Stella Maris," "Star of the Sea."
Columbus, being a Catholic, sang this hymn, or caused it to be sung,
every evening, it is said, during his perilous voyage to an unknown
land. The marine epithet by which the Virgin Mary is addressed is
admirable as a stroke of poetry, and the hymn--of six stanzas--is a
prayer which, though offered to her as to a divine being, was no doubt
sincere in the simple sailor hearts of 1492.
The two following quatrains finish the voyagers' petition, and point it
with a doxology--
Vitam praesta puram,
Iter para tutum,
Ut videntes Jesum
Semper collaetemur.
Sit laus Deo Patri,
Summo Christo decus,
Spiritui Sancto,
Tribus honor unus!
A free translation is--
Guide us safe, unspotted
Through life's long endeavor
Till with Thee and Jesus
We rejoice forever.
Praise to God the Father,
Son and Spirit be;
One and equal honor
To the Holy Three.
Inasmuch as this ancient hymn did not attain the height of its
popularity and appear in all the breviaries until the 10th century, its
assumed age has been doubted, but its reputed author, Venantius
Fortunatus, Bishop of Poitiers, was born about 531, at Treviso, Italy,
and died about 609. Though a religious teacher, he was a man of romantic
and convivial instincts--a strange compound of priest, poet and _beau
chevalier_. Duffield calls him "the last of the classics and first of
the troubadours," and states that he was the "first of the Christian
poets to begin that worship of the Virgin Mary which rose to a passion
and sank to an idolatry."
_TUNES_
To this ancient rogation poem have been composed by Aiblinger (Johann
Caspar), Bavarian, (1779-1867,) by Proch (Heinrich), Austrian,
(1809-1878,) by Tadolini (Giovanni), Italian, (1803-1872,) and by many
others. The "Ave, Maris Stella" is in constant use in the Romish church,
and its English translation by Caswall is a favorite hymn in the _Lyra
Catholica_.
"AVE, SANCTISSIMA!"
This beautiful hymn is not introduced here in order of time, but because
it seems akin to the foregoing, and born of its faith and
traditions--though it sounds rather too fine for a sailor song, on ship
or shore. Like the other, the tuneful prayer is the voice of
ultramontane piety accustomed to deify Mary, and is entitled the
"Evening Song to the Virgin."
Ave Sanctissima! we lift our souls to Thee
Ora pro nobis! 'tis nightfall on the sea.
Watch us while shadows lie
Far o'er the waters spread;
Hear the heart's lonely sigh;
Thine, too, hath bled.
Public-domain text, read in full here on John Shaqi.
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