Subjectively their utterances are indicative of ardent piety and unquestioning faith, and on the other hand their direct and intimate appeal and dramatic address are calculated to affect a throng as if each individual in it was the person meant by the words. The refrain or chorus feature is notable in nearly all. A selection of between thirty and forty of the most characteristic is here given. "HALLELUJAH! 'TIS DONE." This is named from its chorus. The song is one of the spontaneous thanksgivings in revival meetings that break out at the announcement of a new conversion. 'Tis the promise of God full salvation to give Unto him who on Jesus His Son will believe, Hallelujah! 'tis done; I believe on the Son; I am saved by the blood of the crucified One. Though the pathway be lonely and dangerous too, Surely Jesus is able to carry me through-- Hallelujah! etc. The words and music are both by P.P. Bliss. THE NINETY AND NINE. The hymn was written by Mrs. Elizabeth Cecilia Clephane at Melrose, Scotland, early in 1868. She was born in Edinburgh, June 10, 1830, and died of consumption, Feb. 19, 1869. The little poem was seen by Mr. Sankey in the _Christian Age_, and thinking it might be useful, he cut it out. At an impressive moment in one of the great meetings in Edinburgh, Mr. Moody said to him in a quiet aside, "Sing something." Precisely what was wanted for the hour and theme, and for the thought in the general mind, was in Mr. Sankey's vest pocket. But how could it be sung without a tune? With a silent prayer for help, the musician took out the slip containing Mrs. Clephane's poem, laid it on the little reed-organ and began playing, and singing. He had to read the unfamiliar words and at the same time make up the music. The tune came--and grew as he went along till he finished the first verse. He remembered it well enough to repeat it with the second, and after that it was easy to finish the hymn. A new melody was born--in the presence of more than a thousand pairs of eyes and ears. It was a feat of invention, of memory, of concentration--and such was the elocution of the trained soloist that not a word was lost. He had a tearful audience at the close to reward him; but we can easily credit his testimony, "It was the most intense moment of my life." In a touching interview afterwards, a sister of Mrs. Clephane told Mr. Sankey the authoress had not lived to see her hymn in print and to know of its blessed mission. The first six lines give the situation of the lost sheep in the parable of that name-- There were ninety and nine that safely lay In the shelter of the fold; But one was out on the hills away, Far off from the gates of gold. Away on the mountains wild and bare, Away from the tender Shepherd's care. And, after describing the Shepherd's arduous search, the joy at his return is sketched and spiritualized in the concluding stanza--