The Story of the Hymns and TunesButterworth, Hezekiah
Religion
The Story of the Hymns and Tunes
Butterworth, Hezekiah
Hymns -- History and criticism; Religious poetry
Great God, we sing that mighty hand
By which supported still we stand.
The opening year Thy mercy shows;
Thy mercy crown it till its close!
By day, by night, at home, abroad,
Still we are guarded by our God.
As this last couplet stood--and ought now to stand--pious parents
teaching the hymn to their children heard them repeat--
By day, by night, at home, abroad,
_We are surrounded still with God_.
Many are now living whose first impressive sense of the Divine
Omnipresence came with that line.
_PARTING._
"GOD BE WITH YOU TILL WE MEET AGAIN."
A lyric of benediction, born, apparently, at the divine moment for the
need of the great "Society of Christian Endeavor," and now adopted into
the Christian song-service of all lands. The author, Rev. Jeremiah Eames
Rankin, D.D., LL.D., was born in Thornton, N.H., Jan. 2, 1828. He was
graduated at Middlebury College, Vt., in 1848, and labored as a
Congregational pastor more than thirty years. For thirteen years he was
President of Howard University, Washington, D.C. Besides the "Parting
Hymn" he wrote _The Auld Scotch Mither_, _Ingleside Rhymes_, _Hymns pro
Patria_, and various practical works and religious essays. Died 1904.
_THE TUNE._
As in a thousand other partnerships of hymnist and musician, Dr. Rankin
was fortunate in his composer. The tune is a symphony of hearts--subdued
at first, but breaking into a chorus strong with the uplift of hope. It
is a farewell with a spiritual thrill in it.
Its author, William Gould Tomer, was born in Finesville, Warren Co.,
N.J., October 5, 1832; died in Phillipsburg, N.J., Sept. 26, 1896. He
was a soldier in the Civil War and a writer of good ability as well as a
composer. For some time he was editor of the _High Bridge Gazette_, and
music with him was an avocation rather than a profession. He wrote the
melody to Dr. Rankin's hymn in 1880, Prof. J.W. Bischoff supplying the
harmony, and the tune was first published in _Gospel Bells_ the same
year.
_FUNERALS._
Public-domain text, read in full here on John Shaqi.
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