The Story of the Hymns and TunesButterworth, Hezekiah
Religion
The Story of the Hymns and Tunes
Butterworth, Hezekiah
Hymns -- History and criticism; Religious poetry
The hymn has been sometimes sung to "Pisgah," an old revival piece by
J.C. Lowry (1820) once much heard in camp-meetings, but it is a
pedestrian tune with too many quavers, and a headlong tempo.
Bradbury's "Jazer," in three-four time, is a melody with modulations,
though more sympathetic, but it is hard to divorce the hymn from its
long-time consort, old "Arlington." It has the accent of its sincerity,
and the breath of its devotion.
"LO, ON A NARROW NECK OF LAND."
This hymn of Charles Wesley is always designated now by the above line,
the first of the _second_ stanza as originally written. It is said to
have been composed at Land's End, in Cornwall, with the British Channel
and the broad Atlantic in view and surging on both sides around a
"narrow neck of land."
Lo! on a narrow neck of land,
Twixt two unbounded seas, I stand,
Secure, insensible:
A point of time, a moment's space,
Removes me to that heavenly place,
Or shuts me up in hell.
O God, mine inmost soul convert,
And deeply on my thoughtful heart
Eternal things impress:
Give me to feel their solemn weight,
And tremble on the brink of fate,
And wake to righteousness.
The preachers and poets of the great spiritual movement of the
eighteenth century in England abated nothing in the candor of their
words. The terrible earnestness of conviction tipped their tongues and
pens with fire.
_THE TUNE._
Lady Huntingdon would have lent "Meribah" gladly to this hymn, but Mason
was not yet born. Many times it has been borrowed for Wesley's words
since it came to its own, and the spirit of the pious Countess has
doubtless approved the loan. It is rich enough to furnish forth her own
lyric and more than one other of like matter and metre.
The muscular music of "Ganges" has sometimes carried the hymn, and there
are those who think its thunder is not a whit more Hebraic than the
words require.
"COME YE SINNERS POOR AND NEEDY."
Few hymns have been more frequently sung in prayer-meetings and
religious assemblies during the last hundred and fifty years. Its
author, Joseph Hart, spoke what he knew and testified what he felt. Born
in London, 1712, and liberally educated, he was in his young manhood
very religious, but he went so far astray as to indulge in evil
practices, and even published writings, both original and translated,
against Christianity and religion of any kind. But he could not drink at
the Dead Sea and live. The apples of Sodom sickened him. Conscience
asserted itself, and the pangs of remorse nearly drove him to despair
till he turned back to the source he had forsaken. He alludes to this
experience in the lines--
Let not conscience make you linger,
Nor of fitness fondly dream;
All the fitness He requireth
Is to feel your need of Him.
During Passion Week, 1767, he had an amazing view of the sufferings of
Christ, under the stress of which his heart was changed. In the joy of
this experience he wrote--
Public-domain text, read in full here on John Shaqi.
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