The Story of the Hymns and TunesButterworth, Hezekiah
Religion
The Story of the Hymns and Tunes
Butterworth, Hezekiah
Hymns -- History and criticism; Religious poetry
In English churches (since 1861) the hymn was and may still be sung to
"Horbury," composed by Rev. John B. Dykes, and "St. Edmund," by Sir
Arthur Sullivan. Both tunes are simple and appropriate, but such a hymn
earns and inevitably acquires a single tune-voice, so that its music
instantly names it by its words when played on instruments. Such a voice
was given it by Lowell Mason's "Bethany," (1856). (Why not "Bethel,"
instead, every one who notes the imagery of the words must wonder.)
"Bethany" appealed to the popular heart, and long ago (in America) hymn
and tune became each other's property. It is even simpler than the
English tunes, and a single hearing fixes it in memory.
"I NEED THEE EVERY HOUR."
Mrs. Annie Sherwood Hawks, who wrote this hymn in 1872, was born in
Hoosick, N.Y., in 1835.
She sent the hymn (five stanzas) to Dr. Lowry, who composed its tune,
adding a chorus, to make it more effective. It first appeared in a small
collection of original songs prepared by Lowry and Doane for the
National Baptist Sunday School Association, which met at Cincinnati, O.,
November, 1872, and was sung there.
I need Thee every hour,
Most gracious Lord,
No tender voice like Thine
Can peace afford.
CHORUS.
I need Thee, Oh, I need Thee,
Every hour I need Thee;
Oh, bless me now, my Saviour,
I come to Thee!
One instance, at least, of a hymn made doubly impressive by its chorus
will be attested by all who have sung or heard the pleading words and
music of Mrs. Hawks' and Dr. Lowry's "I need Thee, Oh, I need Thee."
"I GAVE MY LIFE FOR THEE."
This was written in her youth by Frances Ridley Havergal, and was
suggested by the motto over the head of Christ in the great picture,
"Ecce Homo," in the Art Gallery of Dusseldorf, Prussia, where she was at
school. The sight--as was the case with young Count Zinzendorf--seems to
have had much to do with the gifted girl's early religious experience,
and indeed exerted its influence on her whole life. The motto read "I
did this for thee; what doest thou for me?" and the generative effect of
the solemn picture and its question soon appeared in the hymn that
flowed from Miss Havergal's heart and pen.
I gave my life for thee,
My precious blood I shed,
That thou might'st ransomed be
And quickened from the dead.
I gave my life for thee:
What hast thou given for me?
Public-domain text, read in full here on John Shaqi.
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