The Story of the Indian MutinyMoncrieff, A. R. Hope (Ascott Robert Hope)
History
The Story of the Indian Mutiny
Moncrieff, A. R. Hope (Ascott Robert Hope)
India -- History -- Sepoy Rebellion, 1857-1858
Discontent was strong in the newly-annexed kingdom of Oudh; and already
had Lawrence had to quell an attempt at mutiny caused by the greased
cartridges, before the native troops raised the standard of rebellion
at Delhi. Foreboding the worst from the news of what had happened on
the Jumna, he exerted himself to calm and conciliate the Sepoys at
Lucknow, and for a time succeeded in preserving an appearance of order,
under which, however, the signs of mischief brewing did not escape his
watchful eye. The Residency, his palatial quarters, with the public
offices and houses about it, stood upon a slight rising ground near
the river, overlooking the greater part of the city. From the first,
Lawrence began to turn this position into a fort of refuge, storing
here guns, ammunition, and supplies, as also in the Muchee Bhawun, an
imposing native fortress not far off. For garrison, part of the 32nd
Regiment, the only English troops he had, were moved in from their
Cantonments outside, and the Christian population soon abandoned their
homes for the asylum of the Residency. Yet at this time it was in no
state for serious defence; even weeks later, few foresaw the hot siege
it would undergo. Before long there appeared cause for actively pushing
on the work. Early in May there was a mutinous demonstration that
luckily could be appeased without bloodshed, but it too plainly showed
the temper of the Sepoys.
By the end of the month, the women and children were all ordered in
from the Cantonments. Business was now at a standstill, and English
people venturing into the streets met everywhere with scared as well as
scowling faces, many of the better class fearing to lose the safety of
our Government, while the turbulent elements of the population eagerly
awaited the signal for general lawlessness.
Public-domain text, read in full here on John Shaqi.
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