The Story of the Sun: New York, 1833-1918O'Brien, Frank Michael
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The Story of the Sun: New York, 1833-1918
O'Brien, Frank Michael
Sun (New York, N.Y. : 1833)
“He patted me on the back and turned and walked east toward his
death. Wasn’t it strange that Gene said that?
“You know how he was killed, of course, and how--now let me
talk about it, children, if I want to. I promised you, didn’t
I, that I wouldn’t cry any more or carry on? Well, it was five
o’clock this morning when a boy rang the bell here at the
house, and I looked out the window and said:
“‘Is Gene dead?’
“‘No, ma’am,’ answered the lad; ‘but they told me to tell you
he was hurt in a fire and is in the hospital.’
“Jerry, my other boy, had opened the door for the lad, and
was talking to him while I dressed a bit. And then I walked
down-stairs and saw Jerry standing silent under the gaslight;
and I said again, ‘Jerry, is Gene dead?’ And he said ‘Yes,’ and
he went out.
“After a while I went down to the Oak Street Station myself,
because I couldn’t wait for Jerry to come back. The policemen
all stopped talking when I came in, and then one of them told
me it was against the rules to show me Gene at that time; but I
knew the policeman only thought I’d break down. I promised him
I wouldn’t carry on, and he took me into a room to let me see
Gene. It was Gene.”
The _Sun_ has been richly fortunate in the humour that has tinged its
news columns since its very beginning. Even Ben Day, with all the
worries of a pioneer journalist, made the types exact a smile from his
readers. With Dana, amusing the people was second only to instructing
them. Julian Ralph and Wilbur Chamberlin both had the trick of putting
together the bricks of fact with the mortar of humour. Chamberlin
had several characters, like his _Insec’ O’Connor_, whose strings he
pulled and made to dance. Hardly a sea-story of Sam Wood’s--except
where there is tragedy--does not contain something to be laughed over.
Samuel Hopkins Adams was an adept at the comic twist. Lindsay Denison
once wrote a story of a semipublic celebration of an engagement so
delightfully that the bride’s father, perhaps the only person in New
York who did not see the humour of the affair, threatened to break the
pledge of troth, although the groom was a public character who had
courted publicity all his life.
Charles Selden, as grave a reporter as ever glowered at a poor
space-bill, had a vein of structural humour perhaps unsurpassed by
any reporter. His account of a press reception at the home of Miss
Lillian Russell has been approached in delicacy only by O’Malley’s
interview with Miss Laura Jean Libbey. Selden’s story of the occasion
when creditors took away all the furniture of John L. Sullivan’s
café--except the one chair upon which the champion snoozed--was a model
of dry, unlaboured humour.
Public-domain text, read in full here on John Shaqi.
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