The Story of the Sun: New York, 1833-1918O'Brien, Frank Michael
History
The Story of the Sun: New York, 1833-1918
O'Brien, Frank Michael
Sun (New York, N.Y. : 1833)
If a reporter found his story in the paper almost untouched by Clarke’s
pencil and adorned with a typical Clarkean head, it was a signal to
him that he had done well. He was sure not to get verbal approbation
from Clarke. There is a legend that Clarke once cried “Fine!” after
skimming over a sheet of well-written copy, but it is only a legend.
With a reporter who never wrote introductions and never padded his
articles Clarke would sometimes crack a joke. _Sun_ traditions have it
that once, after a reporter had turned New York inside out to dig out
a particularly difficult piece of news, the night city editor remarked
to his assistant that that reporter “was a handy man to have around the
office.” Although Clarke has been referred to by an excellent judge,
Will Irwin, as “the greatest living schoolmaster of newspapermen,” his
methods could never be adapted to the academies of journalism.
As a schoolmaster of a more positive type, _Sun_ men remember the late
Francis T. Patton, who edited suburban news for twenty years. Staff
men on assignments in New Jersey, Westchester, Long Island, and other
places just beyond the city turned in their copy to “Boss” Patton,
a cultured man who spent his spare hours reading old Latin works in
the original or working out chess problems. It was to him that the
bewildered cub turned in his hour of torment, and Patton would tell him
how long his story ought to run, how he might begin it, how end it.
“I know it isn’t right to fake, Mr. Patton,” said a new reporter; “but
is exaggeration never permissible?”
“It is,” said Patton. “You may use exaggeration whenever it is needed
to convey to the reader an adequate but not exaggerated picture of the
event you are describing. For instance, if you are reporting a storm at
Seabright, and the waves are eight and one-half feet high by the tape
which you surely carry in your hip-pocket for such emergencies, it will
hardly do to inform the reader that the waves are eight and one-half
feet high; his visualization of the scene would not be perfect. Yet, if
you write that the waves ran mountain-high, I shall change your copy
if it comes to me. The expression would be too stale. Hyperbole is one
of the gifts.”
[Illustration:
SAMUEL A. WOOD
]
[Illustration:
OSCAR KING DAVIS
]
[Illustration:
THOMAS M. DIEUAIDE
]
[Illustration:
SAMUEL HOPKINS ADAMS
]
Patton’s droll humour was one of the delights of the _Sun_ office. One
night Charles M. Fairbanks was writing, for the _Herald_, a story about
“The Men Who Make the _Sun_ Shine.” He asked Patton for something about
himself.
“You may say,” replied the boss of the suburban desk, “that my
characteristics are brilliancy, trustworthiness, accuracy, and poetic
fervour.”
“Boss,” said a young reporter to Mr. Patton, “I often think you and I
could run this paper better than the men who are running it.”
Public-domain text, read in full here on John Shaqi.
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