Fur trade -- North America; Northwest, Canadian -- History; Northwestern States -- History; Trapping
During the Indian's white-fish month--the white man's November--the
weather has become colder and colder; but the trapper never indulges in
the big log fire that delights the heart of the amateur hunter. That
would drive game a week's tracking from his course. Unless he wants to
frighten away nocturnal prowlers, a little, chip fire, such as the
fishermen of the Banks use in their dories, is all the trapper allows
himself.
First snow silences the rustling leaves. First frost quiets the flow of
waters. Except for the occasional splitting of a sap-frozen tree, or the
far howl of a wolf-pack, there is the stillness of death. And of all
quiet things in the quiet forest, the trapper is the quietest.
As winter closes in the ice-skim of the large lakes cuts the bark canoe
like a knife. The canoe is abandoned for snow-shoes and the cotton tepee
for more substantial shelter.
If the trapper is a white man he now builds a lodge near the best
hunting-ground he has found. Around this he sets a wide circle of traps
at such distances their circuit requires an entire day, and leads the
trapper out in one direction and back in another, without retracing the
way. Sometimes such lodges run from valley to valley. Each cabin is
stocked; and the hunter sleeps where night overtakes him. But this plan
needs two men; for if the traps are not closely watched, the wolverine
will rifle away a priceless fox as readily as he eats a worthless
musk-rat. The stone fire-place stands at one end. Moss, clay, and snow
chink up the logs. Parchment across a hole serves as window. Poles and
brush make the roof, or perhaps the remains of the cotton tent stretched
at a steep angle to slide off the accumulating weight of snow.
But if the trapper is an Indian, or the white man has a messenger to
carry the pelts marked with his name to a friendly trading-post, he may
not build a lodge; but move from hunt to hunt as the game changes
feeding-ground. In this case he uses the _abuckwan_--canvas--for a shed
tent, with one side sloping to the ground, banked by brush and snow, the
other facing the fire, both tent and fire on such a slope that the smoke
drifts out while the heat reflects in. Pine and balsam boughs, with the
wood end pointing out like sheaves in a stook, the foliage converging to
a soft centre, form the trapper's bed.
The snow is now too deep to travel without snow-shoes. The frames for
these the trapper makes of ash, birch, or best of all, the
_mackikwatick_--tamarack--curving the easily bent green wood up at one
end, canoe shape, and smoothing the barked wood at the bend, like a
sleigh runner, by means of the awkward _couteau croche_, as the French
hunter calls his crooked knife.
Public-domain text, read in full here on John Shaqi.
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