The Story of Valentine and His BrotherOliphant, Mrs. (Margaret)
General
The Story of Valentine and His Brother
Oliphant, Mrs. (Margaret)
Brothers -- Fiction
room, she grasped his hand, and looked wistfully in his face, while he
stooped to kiss her. “Richard,” she said in a half whisper, as the two
faces approached close to each other, “for myself I do not ask
anything--but, oh, mind, your father is an old man! Please him if you
can.”
Lord Eskside was leaning upon the mantelpiece, gazing into the fire. He
continued the same commonplace strain of talk when his son came back to
him. How badly the trains corresponded; how hard it would be, without
waiting at cross stations and losing much time, to accomplish the
journey. “And as you have to make so early a start you should go to your
bed soon, my boy,” he said, and held out his hand; then grasping his
son’s, as his wife had done, added hastily, his eyebrows working up and
down--“What I have been saying to you, Richard, may look less important
to you than it does to me; but if you would make an effort to please
your mother! She’s been a good mother to you; and neither I nor anything
in the world can give her the pleasure that you could. Good night. I
shall see you in the morning;” and Lord Eskside took up his candle and
hurried away.
The effect of this double appeal, so pathetically repeated, was not, I
fear, all that it should have been. When he reached his own room,
Richard yawned, and stretching his arms above his head--“Thank heaven! I
shall be out of this to-morrow,” he said.
CHAPTER VIII.
I have now to change the scene and bring before the notice of the reader
another group, representing another side of the picture, with interests
still more opposite to those of Lord Eskside and his heir-apparent than
were, even, the interests of that heir-apparent’s mother. But to exhibit
this other side, I have fortunately no need to descend to the lower
levels of society, to Jean Macfarlane’s disreputable tavern, or any
haunt of doubtful people. On the contrary, I know no region of more
unblemished respectability or higher character than Moray Place in
Edinburgh, which is the spot I wish to indicate. Strangers and tourists
do not know much of Moray Place. To them--and great is their
good-fortune--Edinburgh means the noble crowned ridge of the Old Town,
fading off misty and mysterious into the wooded valley beneath; the
great crags of the castle rising into mid-sky, and the beautiful
background of hills. Upon this they gaze from the plateau of Princes
Street; and far might they wander without seeing anything half so fine
as that storied height, lying grey in sunshine, or twinkling with
multitudinous lights, as the blue poetic twilight steals over the Old
Town. But on the other side of that middle ground of Princes Street lies
a New Town, over which our grandfathers rejoiced greatly as men rejoice
over the works of their own hands, despite the fullest acknowledgment of
the work of their ancestors. There lie crescents, squares, and places,
following the downward sweep of the hill, with, it is true, no
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