Verona (Italy) -- Description and travel; Verona (Italy) -- History
A little further down the street and on the same side stands the
Biblioteca Comunale, where precious volumes and manuscripts are stored
in laudable order, and where the kindness and courtesy of the officials
makes it a pleasure to study and hunt among the treasures so freely
placed at one’s disposal. Close beside it is the disused church of St
Sebastian; and but a short way further on is the Arco dei Leoni, a Roman
ruin, said to have been part of Gallienus’s wall, and worthy of a better
place and surrounding. A tinsmith’s shop is all around it, and zinc
baths and tin wares and utensils hang beside the fine columns and
architraves that are lost in so incongruous a setting. That this grand
old ruin was once one of the gateways into the town seems probable; but
archæologists are divided as to its exact origin and purpose, and only
agree in claiming for it without hesitation a very remote antiquity.
Other houses in this street, now called Via Leoni, have traces of Roman
architecture, often stowed away in inner courtyards, and evidently
proving of more interest to the passing prying stranger than to the
owner and inhabitant.
The church of S. Fermo Maggiore is close at hand; one of the four finest
churches of Verona, and beautiful from whichever side we approach it. It
is another example of the blending of brick and marble peculiar to
Verona; and while studying the harmonious fusion of these materials it
is interesting to observe the different periods of building and the
different dates that have left their mark on the construction of this
noble edifice. The façade, the presbytery, and the belfry are fine
examples of the Lombard-Gothic style; and the approach to the principal
entrance up a flight of stairs, with tombs, niches, windows around, and
a deep portal above is very impressive. To the left of the entrance is
the tomb of Aventino Fracastoro, the physician of Cangrande (1350). This
monument, of great beauty, consists in true Veronese fashion of the
sarcophagus supported on brackets, placed under a canopy. On the other
side is another canopy, looking as though intended for a tomb, but of
smaller dimensions than the one above-mentioned, and placed there
[Illustration: JULIET’S HOUSE (traditionally)]
Public-domain text, read in full here on John Shaqi.
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