The pictures are on the first floor, and are for the most part the works of Veronese masters. The first room, known as the Sala Bernasconi, has a fine but faded picture by Paolo Farinato (No. 13) of Christ shown to the multitude. No. 32 is an early but graceful work by Titian of the Madonna and Child and St John. No. 34, a Madonna and Child, and St John the Baptist with two angels, is said to be by Perugino; and much of it probably is by him, the rest by one of his pupils. Room II. has several good pictures, though not all are by the artists to whom they are ascribed. No. 86, for instance, is a lovely Presentation in the Temple, with a forged signature of Gian Bellini. No. 88 is a Holy Family by Andrea del Sarto, but so cleaned as [Illustration: CAVAZZOLA’S DEPOSITION FROM THE CROSS] to leave little of the original. No. 90 is a Madonna and Child that from its likeness to the fresco in S. Fermo is said to be by Pisanello. No. 92 a Madonna, Francesco Caroto, restored and hard. No. 97, a powerful and authentic portrait by Antonio Moro. No. 120, a Madonna and Child with St Joseph by Perugino. No. 121, a graceful Annunciation by Garofolo. No. 155, a Madonna and Child with two Saints by Francia; a picture full of the charm that this Bolognese master rarely fails to exercise. Nos. 112, 108, and 154, are all by Caroto, though in his earlier rather than in his best and later manner. Other pictures in this room are by good masters but hung so high that all effort to judge of them is vain. Room III. has no work in it which demands especial attention. Room IV., No. 240, a Madonna by Giolfino; a hard and somewhat cold picture though not lacking in expression. No. 243, a Madonna enthroned, with saints and angels; an early work by Paolo Veronese. No. 244, a Madonna and Saints by Antonio Badile; a good picture though hung too high. No. 250, Christ washing the disciples’ feet by Bonifazio; a picture full of the rich warm colouring of this master, and lacking--as is often the case with him--in all sense of religious feeling. No. 252, a Madonna enthroned with SS. Roch and Sebastian, by Girolamo dai Libri; and also by him No. 253, the Baptism of Christ. No. 267, a portrait by Paolo Veronese; the only really fine portrait to be found in Verona by Verona’s greatest painter, and representing one of the Guarienti family attired as a warrior. No. 271, a Madonna by Bonsignori.