Verona (Italy) -- Description and travel; Verona (Italy) -- History
One of the chief objects that catches the eye on alighting at the
southern end is the castle of the Scaligers. Their heraldic badge of the
ladder (scala) is on the door, and the manifestation of their might and
power is alike visible in the great wall which surrounds the castle, and
which fortifies it on the side sloping down to the lake as well as on
the land side. A moat runs below this outer wall, and in front of the
chief entrance are evidences of a drawbridge which must once have stood
there. The entrance has two approaches, one by which carriages and
wheeled vehicles could pass, the other for foot passengers. The actual
plan of the castle is a quadrangle, but there are inner walls and
courtyards of different heights and elevations, and towers at stated
distances break up the effect of evenness presented to the eye, and
result in a picturesque and formidable-looking citadel. The castle had
three entrances, two by land, and one on to the lake, both those by land
being approached by drawbridges. The interior of the castle was formed
of two divisions, and the masonry of these courts is as perfect as it
can be, and fit to be compared with the finest and best Roman work.
“Out upon Time! who for ever will leave
But enough of the Past for the Future to grieve!”
These walls are now in ruin; decay is over a building which would seem
to have once defied even Time itself; the owl and the bat haunt the
chambers that rang with mirth and joyaunce when “high dames and mighty
earls” held court there, and when the chase and the dance followed each
other in quick succession, and all seemed made for merriment and
happiness.
Public-domain text, read in full here on John Shaqi.
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