The Story of Waitstill BaxterWiggin, Kate Douglas Smith
General
The Story of Waitstill Baxter
Wiggin, Kate Douglas Smith
Fathers and daughters -- Fiction; New England -- Social life and customs -- 19th century -- Fiction; Sisters -- Fiction
On midsummer evenings the windows of the old farmhouse over at Boyntons'
gleam with unaccustomed lights and voices break the stillness, lessening
the gloom of the long grass-grown lane of Lois Boynton's watching in
days gone by. On sunny mornings there is a merry babel of children's
chatter, mingled with gentle maternal warnings, for this is a new brood
of young things and the river is calling them as it has called all
the others who ever came within the circle of its magic. The fragile
harebells hanging their blue heads from the crevices of the rocks;
the brilliant columbines swaying to and fro on their tall stalks; the
patches of gleaming sand in shallow places beckoning little bare feet
to come and tread them; the glint of silver minnows darting hither
and thither in some still pool; the tempestuous journey of some
weather-beaten log, fighting its way downstream;--here is life in
abundance, luring the child to share its risks and its joys.
When Waitstill's boys and Patty's girls come back to the farm, they play
by Saco Water as their mothers and their fathers did before them. The
paths through the pine woods along the river's brink are trodden smooth
by their restless, wandering feet; their eager, curious eyes search the
waysides for adventure, but their babble and laughter are oftenest heard
from the ruins of an old house hidden by great trees. The stones of
the cellar, all overgrown with blackberry vines, are still there; and
a fragment of the brick chimney, where swallows build their nests from
year to year. A wilderness of weeds, tall and luxuriant, springs up to
hide the stone over which Jacob Cochrane stepped daily when he issued
from his door; and the polished stick with which three-year-old Patty
beats a tattoo may be a round from the very chair in which he sat,
expounding the Bible according to his own vision. The thickets of sweet
clover and red-tipped grasses, of waving ferns and young alder bushes
hide all of ugliness that belongs to the deserted spot and serve as a
miniature forest in whose shade the younglings foreshadow the future
at their play of home-building and housekeeping. In a far corner,
altogether concealed from the passer-by, there is a secret treasure, a
wonderful rosebush, its green leaves shining with health and vigor. When
the July sun is turning the hay-fields yellow, the children part the
bushes in the leafy corner and little Waitstill Boynton steps cautiously
in, to gather one splendid rose, “for father and mother.”
Public-domain text, read in full here on John Shaqi.
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