Soon afterwards Captain Garrick died, and at the same time died also the
rich wine merchant uncle, who left a fair sum of money to his brother’s
children, with a special legacy to David, of whom he had been
particularly fond. Then it was that for the first time the boy’s
ambition took definite shape: he knew there was only one life and one
career for him, and that was summed up in the stage. His mother,
though, shrank in horror from the idea, and to his eternal credit,
rather than add to her sorrows, he set aside his own wishes, and made
one more desperate effort to please his family by going into the wine
business, as the London manager, with his brother Peter. Even in so
doing, theatrical life pursued him, for his wines were so patronised by
the coffee-houses and clubs to which the actors resorted, that he
considered it part of his business to amuse and entertain his customers
by "standing on the tables at the clubs to give his diverting and loudly
applauded mimicries." To make a long story short, the genius that was
in David would not allow him to settle down to a wine merchant’s career;
he became restless and dissatisfied, and one fine morning two letters
fell like bombshells into the Garrick household at Lichfield: one from
David, saying that his mind was so inclined to the stage that he could
no longer resist it, and he hoped they would all forgive him when they
found he had the genius of an actor; the other from an old friend, who
hastened to assure the family how great a success Davy’s first
appearance had been, how the audience was in raptures, and how several
men of judgment had wondered that he had kept off the stage so long.
Richard II. was the ambitious part Garrick had undertaken. "I played
the part to the surprise of every one," he wrote humbly to his furious
brother. "It is what I doat upon, and I am resolved to pursue it." The
_Daily Post_ had an enthusiastic notice about this unknown gentleman who
had never appeared before, "whose reception was the most extraordinary
and great that was ever known, whose voice was clear, without monotony,
drawling, affectation, bellowing, or grumbling; whose mien was neither
strutting, slouching, stiff, nor mincing." Pope, most keen of critics,
had watched him delightedly from a box. "That young man never had his
equal, and never will have a rival," he remarked; adding, "I only fear
lest he should become vain and ruined by applause."
Public-domain text, read in full here on John Shaqi.
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