ill-judging audience." Queen Mary seems to have had a liking for very
popular music, and once seriously offended Purcell, when some of his
compositions were being performed to her, by asking to have sung instead
the old Scotch ballad, "Cold and raw." So when he next had to compose a
birthday ode for her, he carefully introduced the air of "Cold and raw."
When the Queen died he wrote two beautiful anthems for the funeral
service in the Abbey, "Blessed is the man," and "Thou knowest, Lord, the
secrets of our hearts," of which a singer in the choir writes, "I appeal
to all who were present, to those who understood music as well as to
those who did not, whether they ever heard anything so rapturously fine
and solemn, so heavenly in the operation, drawing tears from all, and
yet a plain natural composition, which shows the power of music when
’tis rightly fitted and adapted to devotional purposes." At many a
great public funeral since, this touching music of Purcell’s has been
used, and nothing has taken its place.
Delicate from his boyhood, it was early evident that Henry Purcell’s
life as organist of the Abbey was to be a short one, and in the year
1695 a pathetic little note was added to his song, "Lovely Albinia,"
stating that, "This is the last song the author sett before his
sickness." His illness was just a wasting away, "dangerously ill in the
constitution, but in good and perfect minde and memory, thanks be to
God," to quote his own words. A touching account has been given, in Dr.
Cumming’s "Life of Purcell" of the closing scene in this bright young
life:—
"He lay in a house on the west side of Dean’s Yard, Westminster, from
whence he could probably hear some faint murmurs of the Evensong service
wafted from the old Abbey close by, some well-remembered phrase,
perhaps, of one of his own soul-stirring anthems. The Psalms for the
day (the 21st) to be chanted at that evening service, concluded with
words he had set to music which the world was not likely soon to forget,
music which still remains unsurpassed in truthfulness and dignity. A
more noble or more fitting death-chant for a child of son" it would be
difficult to find—
"’Blessed be the Lord God of Israel
From everlasting, and world without end.
And let all the people say, Amen.’
"So his gentle spirit passed into the better world, there to continue
his service of song and praise in fulness and perfection."
His own anthems were sung at his funeral; the organ he had so loved
pealed out its rich farewell to him; and on his gravestone are these
words in Latin—
"Dead? No, he lives, while yonder organ’s sound,
And sacred echoes to the choir rebound."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account