The "Pickwick Papers," which followed shortly afterwards, increased his
reputation and established his position. Here was a writer bubbling
over with a fresh, keen sense of humour, and in every page of his book
the humour came out, never strained or forced, always natural, kindly,
and infectious. From "Pickwick" he turned to quite a different style,
for in "Oliver Twist" he gave to the world a brilliant picture of the
"dregs of life." The subject was sad enough, and Dickens, before all
things a truthful writer, did not seek to conceal anything, and yet so
wonderful was his sympathy with all humanity, even the most degraded,
that he never failed to recognise goodness and nobleness however deep
down they might be hidden away. He saw below the surface, and in all
that he wrote he forced his readers to think the better of mankind.
Dickens went on from one success to another; he thoroughly understood
his public and his own line, and his great heart was so full, so
responsive, so in tune with the tender emotions which belong to all men
and women in common, that he never grew stale or dull. Master alike of
pathos and of humour, he appealed direct to the hearts of his readers.
"Nicholas Nickleby," "The Old Curiosity Shop," "Martin Chuzzlewit," "The
Christmas Books," "Dombey & Son," "David Copperfield," "Bleak House,"
and "The Tale of Two Cities," in their turn won for him countless
friends and admirers from every class of life in England and in America,
for all his characters were living people, and though he never moralised
or lectured, he always purified and uplifted.
"Do not harden your hearts," was his message to the world. "Sympathise,
pity, help, understand, love. Laugh if you will, so long as you laugh
not in scorn; but love always, love everywhere."
A gravestone in Westminster is his only monument there, but that was by
his own desire. To a great crowd assembled in the Abbey on the Sunday
after his funeral, Dean Stanley read aloud these words from his will,
"sacred words," he said, "which come with a new meaning and a deeper
force, because they come from the lips of a lost friend, because they
are the most solemn utterance of lips now for ever closed in the
grave":—
"’I direct that my name be inscribed in plain English letters on my
tomb.... I conjure my friends on no account to make me the subject of
any monument, memorial, or testimonial whatever. I rest my claims to be
remembered of my country upon my published works, and to be remembered
of my friends upon their experience of me in addition thereto.... And I
exhort my dear children humbly to try to guide themselves by the
teaching of the New Testament in its broad spirit, and to put no faith
in any man’s narrow construction of its letter here or there.’"
Public-domain text, read in full here on John Shaqi.
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