And he continued to write. In 1844, being then thirty-two, he met
Elizabeth Barrett, the invalid poetess with whose work he was already
familiar, and from the first his heart went out to her. For some time
she steadily refused to listen when he talked of marriage, on account of
her ill health. But his persistence wore down her half-hearted
resistance, especially as her happiness in the knowledge of his love
proved a good doctor, and she showed signs of growing stronger. Her
father, who seems to have objected to any of his daughters marrying, had
made up his mind that Elizabeth would never leave home, and it was
certain he would never have given his consent. So with some misgivings
Miss Barrett consented to her lover’s entreaties. They were married
privately; he took her abroad, and in her newly found joy she rallied
surprisingly. To the end of her life she was fragile, and it was never
possible for her to stand side by side with him through all the daily
ups and downs, but the sympathy between them was as complete as their
love for each other was beautiful, and in spite of the many new
responsibilities it laid upon him, his marriage with this rare mind
brought a daily increasing happiness to the poet. From this time
forward much of his time was spent in Italy, for the sake of his wife;
but when in 1861, with her death, "the light of his life went out," he
returned to London and lived here till the end, always working, always
genial, drawn more and more into an ever-widening circle of friends, as
the greatness of his mind and genius became known and appreciated.
Active to the last, he died in 1889, while on a visit to Venice. But
England claimed him as her own, and so strong was the feeling as to the
Poets’ Corner being the only place where he could be buried, that his
son consented, in spite of the fact that Mrs. Browning slept under the
blue skies of Italy.
It would be quite impossible now to talk of Robert Browning’s poems by
name; they are too many in number and too deep in thought to be lightly
dealt with. But we can try to understand what it is that has made him
so great a figure in English literature, why it is that he has left so
powerful an influence on his age.
First of all he was a great teacher, he was a seer, as every true poet
must be if his work is to live.
"To know the heart of all things was his duty;
All things did speak to him to make him wise,
And with a sorrowful and conquering beauty,
The soul of all looked grandly from his eyes.
He gazed on all within him and without him,
He watched the flowing of Time’s steady tide,
And shapes of glory floated all about him,
And whispered to him, and he prophesied."
He looked on life as a great whole, part to be lived here, part to be
lived beyond the grave, but each part belonging to the other. He
believed that over all, guiding all and through all, was the Divine
Power.
"God’s in His Heaven:
All’s well in the world."
Public-domain text, read in full here on John Shaqi.
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