The grating round the tomb was made by English workmen, and here again you will see everywhere the king’s badges. And I want you to notice, too, the little angels who stand round the king and queen, for they look as if they had just flown there for a moment, so lightly are they poised. Then you must look at the carvings round the tomb, those Saints whom the king had chosen to be his guardians: the Virgin Mary with Christ in her arms and St. Michael at her side; St. John the Baptist pointing to a picture of the Lamb of God; St. John the Evangelist holding his Gospel in his hand, an eagle standing at his feet; St. George of England standing on the vanquished Dragon, and with him St. Anthony dressed as a monk; Mary Magdalene with her box of precious ointment; St. Barbara holding a three-windowed tower; St. Christopher bearing on his shoulder the Christ Child, and St. Edward the Confessor crowned in glory. Just outside the screen must have stood a beautiful altar, also the work of Torrigiano, an altar of white marble, gilded with fine gold, enriched by inlay and carving, the central figure being "an image, erth coloured of Christ dead;" but this was wrecked by a fanatic named Marlow in the time of the Commonwealth, whose "ignorant zeal was such that he brake it into shivers, though it was a raritie not to be matched in any part of the world." As you stand in the chapel I want you to gaze up at the vaulted roof, which seems as though it hung in mid air, so wonderful is the design with its fairy grace and lightness; for here you see a beautiful example of that fan-tracery vaulting which was peculiarly English in its style, and which in this case was probably the work of two English masons, John Hyharn and William Vertue. Then you must look around at the army of Saints and Martyrs who guard the walls; king, apostle, saint confessor, all are here, and the niches in which they stand are delicately carved and decorated. And you must try to imagine the glory of the windows in those early days when, filled with "goode, clene, sure, and perfyte glasse of oryent colours, and the imagery of the story of the olde lawe and the new lawe," they reflected their rich hues around. Now only one little part of those many painted windows remains, but that is a figure of Henry VII., who looks down over the chapel which he raised.