Leaving that lower region (which is, of course, deserted when we view it in the afternoon) we re-ascend to look at the little in-patients. From the first ward we seek to enter we are admonished by our own senses to turn back. We have barely looked in when the faint, sweet odour of chloroform hanging in the air, the hiss of the antiseptic-spray machine, and the screens placed round a cot inform us that one of the surgeons is conducting an operation. The ward is all hushed in silence, for the children are quick to learn that, when the big, kind-eyed doctor is putting a little comrade to sleep in order to do some clever thing to him to make him well, all must be as quiet as mice. There is no more touching evidence of the trust and faith of childhood than the readiness with which these children yield themselves to the influence of chloroform, and surrender themselves without a pang of fear into the careful hands of the doctor. Sometimes, when an examination or an operation is over, there is a little flash of resentment, as in the case of the poor boy who, after having submitted patiently to have his lungs examined, exclaimed to the doctor, "I'll tell my mother you've been a-squeezing of me!" We cross to the other side and enter the ward called after Queen Victoria. The ward is quiet, for it is one of those set apart for medical cases. Here the poor mites of patients are almost all lying weak and ill. On the left, not far from the door, we come upon a pretty and piteous sight. In a cot roofed and curtained with white, save on one side, lies a little flaxen-haired girl--a mere baby of between two and three--named "Daisy." Her eyes are open, but she does not move when we look at her; she only continues to cuddle to her bosom her brush and comb, from which, the nurse tells us, she resolutely refuses to be parted. She is ill of some kind of growths in the throat, and on the other side of her cot stands a bronchial kettle over a spirit-lamp, thrusting its long nozzle through the white curtain of the cot to moisten and mollify the atmosphere breathed by the little patient. While our artist prepares to make a sketch, we note that the baby's eyes are fixed on the vapours from the kettle, which are curling and writhing, and hovering and melting over her. What does she think of them? Do they suggest to her at all, child though she is, the dimness and evanescence of that human life which she is thus painfully beginning? Does she wonder what it all means--her illness, the curling vapour, and the people near her bed? Poor Daisy! There are scores of children like her here, and tens of thousands out of doors, who suffer thus for the sins of society and the sins of their parents. It is possible to pity her and them without reserve, for they have done nothing to bring these sufferings on themselves. Surely, then, their parents and society owe it to them that all things possible should be done to set them in the way of health.