And so we pass on into the other little wards, and then downstairs into a sitting-room where the greater number of convalescents are assembled. This room was probably the dining-room of the mansion in Cromwell's days, and here, about the table and the fire where the children sit, must have gathered grave and austere Puritans, and soldiers in clanking jack-boots from among Cromwell's invincible Ironsides. Over the fireplace is still to be seen in complete preservation General Ireton's coat-of-arms, and between the windows are mirrors of the same date. But we have little more than crossed the threshold when all thought of Puritans and Ironsides is banished by a cry not unlike the laugh of a hyena. Our guide points out to us the utterer of the cry--a little boy sitting up at the head of a couch against the fireplace. He is one of the very few children who are afraid of a doctor, and he sees men there so seldom that every man appears to him a doctor: hence his cry. We consider him from afar off, so as not to distress him unduly; and we learn that he is commonly known as "Dotty," partly because he is small and partly because his wits are temporarily somewhat obscured. His chief affliction, however, is that he has curiously crooked feet which the surgeon is trying to set straight. Over against him, on the couch, sits a Boy of Mystery. He is called "Harry" (there is nothing mysterious about that), but some months ago he swallowed an old copper coin, which he still keeps concealed somewhere in his interior. The doctors are puzzled, but the Boy of Mystery sits unconcerned. With one final glance round and a word to a girl who is reading "The Nursery Alice" to a younger girl, we turn away, and the door closes upon the children. [Illustration: DOTTY AND HARRY.] But we cannot leave them without a final word to our readers. Of all possible forms of charitable work there is surely none better or more hopeful than that which is concerned with children, and especially that which is anxious about the health of children. More than one-third of the annual deaths in London are the unnatural deaths of innocent young folk. "The two grim nurses, Poverty and Sickness," said Dickens in his famous speech, "who bring these children before you, preside over their births, rock their wretched cradles, nail down their little coffins, pile up the earth above their graves." Have we no duty towards them as fellow-citizens? If we pity their hard condition, and admire the patience and fortitude with which they endure suffering, then let us show our pity and our admiration in such practical ways as are open to us. [Illustration: THE GARDEN ENTRANCE: CROMWELL HOUSE.] _Fac-simile of the Notes of a Speech by John Bright._