The Strand Magazine, Vol. 01, No. 03, March 1891: An Illustrated MonthlyVarious
History
The Strand Magazine, Vol. 01, No. 03, March 1891: An Illustrated Monthly
Various
English literature -- Periodicals; Short stories, English -- Periodicals
Camille's curiosity and interest were deeply stirred. She had already
observed that this young man's lips did not move. She now saw that he
spoke a language which was not the language of others, that he had found
some means of expressing himself without the aid of speech--that art for
her so incomprehensible and impossible. An irresistible longing to see
more seized her. She leaned over the edge of the box, and watched the
stranger's movements attentively. When he again wrote something upon his
slate, and passed it to his companion, she made an involuntary gesture
as if to take it. Whereupon the young man, in his turn, looked at
Camille. Their eyes met, and said the same thing, "We two are in like
case; we are both dumb."
Uncle Giraud brought his niece's wrap, but she no longer wished to go.
She had reseated herself, and was leaning eagerly forward.
The Abbé de l'Epée was then just becoming known. Touched with pity for
the deaf and dumb, this good man had invented a language that he deemed
superior to that of Leibnitz. He restored deaf mutes to the ranks of
their fellows by teaching them to read and write. Alone and unaided he
laboured for his afflicted fellow-creatures, prepared to sacrifice to
their welfare his life and fortune.
The young man observed by Camille was one of the Abbé's first pupils. He
was the son of the Marquis de Maubray.
VIII.
It goes without saying that neither Camille nor her uncle knew anything
either of the Abbé de l'Epée, or of his new method. Camille's mother
would assuredly have discovered it, had she lived long enough. But
Chardonneux was far from Paris; the Chevalier did not take _The
Gazette_, nor, if he had taken it, would he have read it. Thus a few
leagues of distance, a little indolence, or death, may produce the same
result.
Upon Camille's return from the opera, she was possessed with but one
idea. She made her uncle understand that she wished for writing
materials. Although the good man wanted his supper, he ran to his
chamber, and returned with a piece of board and a morsel of chalk,
relics of his old love for building and carpentry.
Camille placed the board upon her knee, then made signs to her uncle
that he should sit by her and write something upon it. Laying his hand
gently upon the girl's breast, he wrote, in large letters, her name,
_Camille_, after which, well satisfied with the evening's work, he
seated himself at the supper-table.
Camille retired as soon as possible to her own room, clasping her board
in her arms. Having laid aside some of her finery, and let down her
hair, she began to copy with great pains and care the word which her
uncle had written. After writing it many times, she succeeded in forming
the letters very fairly. What that word represented to her, who shall
say?
[Illustration: "SHE BEGAN TO COPY WITH GREAT CARE."]
Public-domain text, read in full here on John Shaqi.
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