The Strand Magazine, Vol. 01, No. 04 (April 1891)Various
General
The Strand Magazine, Vol. 01, No. 04 (April 1891)
Various
English literature -- Periodicals; Short stories, English -- Periodicals
The shop, which we find on the left-hand side as we approach it from
the west, is a double one, and might easily be taken for two separate
establishments. The first window we reach might be passed as that of
an ordinary bird fancier's, were the attention not attracted by the
unusually neat, clean, and roomy appearance of the cages displayed,
and the uncommon shapes and colours of the birds which inhabit them.
The next window is more catching to the eye. Furious Japanese figures,
squatting Hindoo gods, strange and beautiful marine shells, and curious
pottery bring the pedestrian to a stand, and arouse a desire to explore
within. All this outside, however, gives small promise of the strange
things to be seen and learnt behind the scenes. Returning to the door
by the aviary window, we enter, and find ourselves in a bright, clean
room, eighteen or twenty feet square, properly warmed by a stove
placed in the centre. The walls, from floor to ceiling, are fitted
with strong and commodious wire cages, in which birds of wonderful
voice and hue and monkeys of grotesque lineament yell, whistle, shriek,
and chatter. Great and gorgeous parrots of rare species flutter and
scream, and blinking owls screw their heads aside as we pass. But the
cause in chief of all this commotion is the presence of an attendant
in shirt-sleeves, who, carrying with him a basket, is distributing
therefrom certain eatables much coveted hereabout. Beaked heads are
thrust between bars, and many a long, brown arm reaches down-ward and
forward from the monkey-cages, in perilous proximity to the eager
beaks. In a special cage, standing out from the rest, a beautiful
black and white lemur sits and stretches his neck to be fondled as the
attendant passes, but shyly hides his face when we strangers approach
him.
[Illustration: THE AVIARY.]
Public-domain text, read in full here on John Shaqi.
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