The Strand Magazine, Vol. 01, No. 04 (April 1891)Various
General
The Strand Magazine, Vol. 01, No. 04 (April 1891)
Various
English literature -- Periodicals; Short stories, English -- Periodicals
Among hundreds of idols we are shown three which are especially
noteworthy. The first is a splendid life-sized Buddha--a work of
surprising grace and art. The god is represented as sitting, his back
being screened by a great shell of the purest design. The whole thing
is heavily gilt, and is set, in places, with jewels. Every line is a
line of grace, and the features, while of a distinct Hindoo cast, beam
with a most refined mildness. What monetary value Mr. Jamrach sets on
this we do not dare to ask; and, indeed, we are now placed before
the second of the three--a Vishnu carved in alto-relievo of some hard
black wood. This is a piece of early Indian art, and it has a history.
It was fished up some twenty years ago from the bottom of the river
Krishna, where it had been reverently deposited by its priests to save
it from insult and mutilation at the hands of the invading Mohammedan;
and there it had lain for eight hundred years. It is undamaged, with
the exception that the two more prominent of the four arms are broken
off; and that it has escaped the insult which its devout priests feared
is testified by the fact that the nose--straight, delicate, and almost
European in shape--has not been broken. It is an extremely rare thing
for a Vishnu free from this desecration--a fatal one in the eyes of
worshippers--to be seen in this country. Above the head are carved
medallions representing the ten incarnations of the god, for the last
of which mighty avatars millions still devoutly wait in mystic India;
while here, in Ratcliff-highway, after all its dark adventures, and
after its eight centuries of immersion below the Krishna, stands the
embodiment of the god himself, mildly serene and meekly dignified.
[Illustration: A FRIENDLY DEITY.]
The third of these gods is quite a different person. There is nothing
resembling beauty--either of conception or workmanship--about him.
He is very flat-chested, and his form is faithfully represented in
the accompanying illustration; without an illustration he would be
indescribable. The head is very small, and grotesquely carved, with
a large boar's tusk projecting from the jaw. The trunk and limbs,
however, are the parts of interest; they consist of an entire human
skin stretched on a sort of flat wooden framework, and partly stuffed
with dried grasses. The skin is a light brown, leathery looking stuff,
with here and there a small crack. The legs are clothed with loose blue
trousers, which appear to be of dungaree, or a similar material, and
the complete deity came from the Friendly Islands some time since. Just
at his feet lie, in an open packing box, certain mummified heads, some
bearing unmistakable marks of hard knocks, all having been, no doubt,
among the most cherished possessions of the gentleman who had separated
them from the shoulders upon which they originally grew.
Public-domain text, read in full here on John Shaqi.
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