The Strand Magazine, Vol. 01, No. 06, June 1891: An Illustrated MonthlyVarious
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The Strand Magazine, Vol. 01, No. 06, June 1891: An Illustrated Monthly
Various
English literature -- Periodicals; Short stories, English -- Periodicals
A waltz they had, and they made some glasses on the table jingle so
that a chambermaid knocked at the door, and asked whether her services
were required.
"Not at all," replied Arthur, in very indifferent German. "I am only
giving madame a lesson."
At the end of which lesson Arthur related to his bride what it was
that had been disturbing him. How she pitied him! The tears ran down
her pretty face as she took his between her little hands, and gave him
kisses which he returned with interest. Of that you may be sure.
"Oh, Arthur," said Adelaide, with the fondest of looks, "I am glad I
married you; because, you know, you do want someone to look after you."
As for the rest of the honeymoon, I leave you to imagine it. All I will
say is, that I wish no newly married young couple a happier.
[Illustration]
_A Night in an Opium Den._
BY THE AUTHOR OF "A DEAD MAN'S DIARY."
Yes, I have smoked opium in Ratcliff Highway, and in the den which was
visited by Charles Dickens, and through the pipe which had the honour
of making that distinguished novelist sick.
"And did you have lovely dreams? and what were they like?" asks a fair
reader.
Yes, I had lovely dreams, and I have no doubt that by the aid of
imagination, and a skilful manipulation of De Quincey, I could concoct
a fancy picture of opium-smoking and its effects, which might pass for
a faithful picture of what really occurred. But, "My Lord and Jury"--to
quote the historic words of Mrs. Cluppins, when cross-examined by
Serjeant Buzfuz--"My Lord and Jury, I will not deceive you": what those
dreams were, I could not for the life of me now describe, for they were
too aërial and unsubstantial to be caught and fixed, like hard facts,
in words, by any other pen than that of a Coleridge, or a De Quincey.
I might as well attempt to convey to you, by means of a clay model, an
idea of the prism-fires and rainbow-hues that circle, and change, and
chase each other round the pictured sides of that floating fairy-sphere
which we call a soap-bubble, as attempt, unassisted, to describe my
dreams in words. Hence it is that in this narrative, I have confined
myself strictly to the facts of my experiences.
[Illustration: THE PROPRIETOR.]
Public-domain text, read in full here on John Shaqi.
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