The Strand Magazine, Vol. 05, Issue 25, January 1893: An Illustrated MonthlyVarious
General
The Strand Magazine, Vol. 05, Issue 25, January 1893: An Illustrated Monthly
Various
English literature -- Periodicals; Short stories, English -- Periodicals
Before us are parts of two packs of cards which were discovered in
Edinburgh, in 1821, pasted up in a book of household accounts, one of
its leaves bearing the date of 1562; and it would be no great stretch of
fancy to believe that they were taken to Edinburgh by some follower of
Mary Queen of Scots on her return to Scotland a year before this date.
These cards are of Flemish make; on one of them is the name "Jehan
Henault," who was a card-maker in Antwerp in 1543, and in passing we may
remark that at this period there was a considerable trade between London
and France in playing cards of Flemish manufacture. Old playing cards
may be looked for in most unlikely places; a few years ago two nearly
complete packs were found wedged in an old cross-bow, for the purpose of
securing the bow where it had worked loose in the head; they were of
sixteenth century manufacture, and had doubtless been the means of
relieving the tedium of many a weary watch or waiting, in field or
fortress, before they found their resting-place of a couple of centuries
in the obsolete missive weapon where they were discovered.
We find on many cards some attempts at portraiture. Thus we have in Fig.
5 Clovis as the King of Clubs, but depicted in a costume of the time of
Henry IV. of France, the card itself being of that period. This, as well
as Fig. 4, is from a pack of fifty-two "Numeral" cards, printed from
wood-block and stencilled in colour.
[Illustration: FIG. 6.]
Returning to "Tarots," we have in Fig. 6 (Le Fou) one of the cards
designed by Mitelli about 1680, it is said to the order of a member of
the Bentivoglio family (parts of whose armorial bearings are to be found
on many of the cards), for the "Tarrocchini di Bologna," a special form
of the game of Tarot, a series of spirited designs of vigorous and
careful drawing, and the most artistically valuable of any of the Tarots
with which we are acquainted. In them not only the Tarot series but the
ordinary suits display a quaint conception and generally elegant design.
It is curious to note that in the eleven packs or parts of packs of
these Bolognese cards which we have met with in various parts of Europe
there is not any uniformity of manufacture, but while the designs are
the same and evidently produced from the same copper plates, the making
of them into cards for the purpose of play bears indication of what
might be termed a "domestic" manufacture. For some time the game was
interdicted in Bologna, and it is possible that this may have induced a
surreptitious production and illicit sale of the cards. Fortunately, the
interdict did not prevent the preservation to us of this interesting
series.
[Illustration: FIG. 7.]
Public-domain text, read in full here on John Shaqi.
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